“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.

A man carries a block of ice left behind by a hailstorm in Sao Paulo, Brazil, on May 19, 2014. After the severe overnight hailstorm a layer of hailstones as deep as 20 centimeters covered streets and parks, drawing people to make snowmen and play in the ice, an unusual scene to the city. (Photo by Nelson Antoine/AP Photo)

A 2014 Soccer Calendar, inspired by the World Cup, and commissioned by a beer company (we can't provide client info) featuring women doing the 12 most famous moves in soccer.
Tim Tadder traveled around Brazil shooting the backgrounds and collaborated with the talented Mike Campau to blend the scenes together to create a truely unique set of images.

Edinburgh-based physicist-turned-web-designer Tom Beddard was inspired by geometry to create these virtual Fabergé fractals – made up of self-repeating patterns, so that structures within the object resemble the whole. “Within a 3D fractal, there is infinite detail”, says Beddard, 37. “The closer you zoom in, the more structure is revealed”. Beddard rendered the fractals using WebGL, a technology used to animate 3D scenes in a browser.

Anastassia Elias spends hours painstakingly cutting out tiny shapes to make detailed models – and then fits them inside used toilet rolls. Elias, 37, uses paper the same color as the cardboard tubes to build up the intricate scenes from wildlife to construction sites. Photo: Toilet paper roll art of African wildlife. (Photo by Anastassia Elias/Caters News)

A freediver uses weights, yoga and camera tricks to create the illusion of walking underwater for a film which took three years to shoot and was completed in 2013 in El Hierro, Canary Islands. Like a scene from a Hollywood science-fiction movie, this trick footage shows a man apparently walking on water. The underwater film was shot by biologist Armiche Ramos and brothers Armando and Francisco del Rosario, who used their expertise in freediving to create the illusion. No computer graphics were involved in the production, with the team relying solely on their own skills – and a few hidden secrets. (Photo by Ocean Brothers/Barcroft Media/ABACAPress)

Rescue specialists for USA-1 drill through a concrete slab to rescue a victim from the scene of a mock disaster area during a training exercise at the Guardian Center in Perry, Georgia, March 25, 2014. A week of field training, the first of its kind at the 830-acre training site, to be open to the media, began Monday with the arrival of USA-1 from Fairfax, Virginia along with its sister team in Los Angeles, California. USA-1 has been deployed by the U.S. Agency for International Development to 30 foreign disasters, including earthquakes in Haiti, Armenia and Iran, the tsunami in Japan and the typhoon in the Philippines. (Photo by Shannon Stapleton/Reuters)

This close-up image – of a Holi Festival celebrant in Vrindivan, India, coated in neon-colored powder – was submitted to National Geographic’s Your Shot in the last week of March. On April 1 we published it on our Daily News site, along with seven other bright scenes captured during the Hindu spring Festival of Colors. (Photo by Tinto Alencherry/National Geographic)