Short answer: no.

I know, this answer was a little too short, so let me explain in a little more detail.

Imagine tossing a coin. Normally, any normal coin toss has two possible outcomes - heads or tails - with each one having a 50% chance of happening. Ideally, that is, because factors like the force of your finger tossing the coin, gravity, the wind, the moon phase and a passing TARDIS can all influence the outcome of the toss - but I have deviated from the subject.

Tattooist Jay Freestyle, who is based in Amsterdam, creates what only can be described as works of art that last forever on his clients' skin. His style is freehand – without any sketch or stencil and he inks the incredible drawings straight onto body parts. They might look expertly planned, but the swashes of colour, detailed line work and geometric shapes are all the result of some clever improvisation. Photo: An amazing example of his mixed style. (Photo by Jay Freestyle/360 Media Solutions)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)

It has taken 3,000 hours and 34 years to make – but the results are incredible. Artist Scott Weaver has created a huge but incredibly detailed model of San Francisco using 100,000 toothpicks. The work entitled Rolling Through the Bay also doubles as a marble run. Ping pong balls dropped on several ramps at the top of the model follow several “tours” through the city. They pass matchstick replicas of sights such as Alcatraz, Fisherman's Wharf, the Golden Gate Bridge and the city's trademark terraced houses on steep hills.

Some creations from the new “Funny Food Made Easy” book by Bill and Claire Wurtzel. “Inspiring kids to eat healthy foods with creative works of plate art and easy-to-follow instructions and illustrations. Through finished plate art, detailed step-by-step illustrations, recipes, and tips, Funny Food Made Easy provides all you and your kids need to make, eat, and enjoy healthy breakfasts, lunches, and snacks” – roughly speaking so. Here: Egg, cucumber, olive. (Photo by Bill and Claire Wurtzel/Welcome Books)

These stunning photographs may look like alien planets, but they are actually satellite images of planet Earth. Commercial satellite company DigitalGlobe recently released the images as a way of highlighting the incredible detail of their imagery – the highest-resolution commercial satellite imagery in the world. Some of the images – taken above Afghanistan, Algeria, Peru, Russia and the United States – look more like abstract works by Mondrian than segments of the globe. DigitalGlobe, based in Westminster, Colo., launched its first satellite in 1999 and currently has four in operation. Here: Trementina, New Mexico. (Photo by DigitalGlobe/Caters News)