Hi, my name is Rodney Pike and I am a Humorous Illustrator. I have a lifetime of experience in Fine Art and Graphic Design and Digital Illustration. I offer Photo-Manipulated Illustrations of all sorts but I specialize in Photo-Manipulated Caricature Illustration, Humorous Illustration and Political Satire, perfect for magazines, books, etc. My clients include companies such as FHM Magazine, Tennis Magazine, The Village Voice Magazine, Bauer Media, Miller Publishing Group, New Coast Productions and Catchphrase Entertainment. I am a member of the ISCA and NAPP.

Inspired by personal experiences, a mix of cultures, rituals, and travelling the world, artist Jim Skull creates elaborate woven skull sculptures. He likes to be referred to as Jim Skull as a reflection of his interest in skulls; a symbol that he has been working with since the 1980s. He is currently living in France where he creates beautifully crafted sculptures out of rope, Papier-mâché, and other natural materials. He was born in New Caledonia and there’s no doubt that the influences of the tribal arts from Oceania, Africa, and North America are evident within his technique.

Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.

A glasses-free Toshiba 55-inch 3-D 4x full HD TV shows the movie, “Coraline” at the 2012 International Consumer Electronics Show at the Las Vegas Convention Center January 11, 2012 in Las Vegas, Nevada. The TVs are scheduled to be available this year and will come with embedded cameras with facial recognition capability so depending on where you are sitting, the set will adjust the viewing point for the best 3-D experience. (Photo by Ethan Miller/Getty Images)

Tourists use a selfie stick on the Trocadero Square, with the Eiffel Tower in background, in Paris, Tuesday, January 6, 2015. Selfie sticks have become popular among tourists because you don't have to ask strangers to take your picture, and you can capture a wide view in a selfie without showing your arm. But some people find selfie sticks obnoxious, arguing that they detract from the travel experience. (Photo by Remy de la Mauviniere/AP Photo)

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.

Do you like jabots? Personally, they are not my cup of tea. If your outlook on jabots is similar to mine, then you would consider the idea of Sasha Goldberger rather strange. Just think about it. Who could have thought that putting a ruffled collar on Marvel and DC characters would completely transform their well-recognized appearance? And only a genius would think that taking photos of such an obscenity is a good idea. If some unfortunate child would look at those superheroes, he might think that calling them ‘super’ is an exaggeration. Let’s just hope that he won’t have nightmares after having such a horrific experience. (Photo by Sacha Goldberger)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.