An artist wearing a coronavirus-shaped helmet and a protective suit stands next to a police barricade as he requests people to stay at home during an extended lockdown to slow the spread of the coronavirus disease (COVID-19) in New Delhi, India, April 30, 2020. (Photo by Adnan Abidi/Reuters)

A girl walks past outside a house damaged by tidal waves at Meulaboh beach in Aceh province on July 12, 2020. (Photo by Chaideer Mahyuddin/AFP Photo)

Aerial view over mud and waste from the disaster caused by dam spill in Brumadinho, Minas Gerais, Brazil, 26 January 2019. At least nine people have died and 300 are missing after a tailings dam burst at the Feijao mine in southeastern Brazil owned by Vale, the world's largest iron-ore producer, the Minas Gerais state government said. The dam in Brumadinho near Belo Horizonte broke on 25 January at around mid-day, unleashing a river of sludge that destroyed some nearby houses. (Photo by Antonio Lacerda/EPA/EFE)

A woman reacts to the sun coming out of the clouds during the annual Easter Parade and Bonnet Festival on Fifth Avenue in New York City, New York, U.S. April 21, 2019. (Photo by Stephanie Keith/Reuters)

A model backstage ahead of the Rasit Bagzibagli show during Mercedes-Benz Fashion Week Istanbul at on March 27, 2018 in Istanbul, Turkey. (Photo by Sinem Yazici/Getty Images for IMG)

Giraffes doing the splits to get a drink of water from the watering hole at the Zimanga Private Game Reserve in South Africa on March 31, 2022. (Photo by Hendri Venter/Animal News Agency)

Workers lay out hundreds of umbrellas in neat lines ready for painting on May 26, 2022. The parasols are handmade using thick paper in Bogor, West Java, Indonesia. (Photo by Lisdiyanto Suhardjo/Solent News)

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.