“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)

Iceland horses play on a meadow of a stud farm in Obernhain near Frankfurt, Germany, as the sun rises Thursday, July 23, 2020. (Photo by Michael Probst/AP Photo)

People dance to celebrate Midsummer Eve during sunset at the Amager Strandpark in Copenhagen, Denmark, June 23, 2021. (Photo by Hannah McKay/Reuters)

A hare runs on a small road as the sun rises in Frankfurt, Germany, Monday, June 12, 2023. (Photo by Michael Probst/AP Photo)

A woman carries an umbrella during a heat wave in Rome, Italy, 16 July 2023. Italy is facing the third heatwave of the summer on 16 July bringing record temperatures. The new heatwave is forecast to peak on 18 July, when temperatures in areas of southern Sardinian may reach 48 degrees Celsius, according to forecasts. On 15 July, the health ministry has put on red alert major Italian cities. (Photo by Massimo Percossi/EPA)

A visitor takes pictures with a smartphone of an artwork entitled “Blue Europe, 2015” by Chinese artist Liu Bolin, on display during the exhibition “Visible Invisible” at the Mudec Museum in Milan on May 14, 2019. Liu Bolin known as “the invisible man” for his photographic self-portraits, focused on a body-painting blending with the surrounding area. (Photo by Miguel Medina/AFP Photo)

An Iraq fan poses before the World Cup 2022 Qualifier 2nd round Group C football match between Iraq and Iran at Amman International Stadium in Amman, Jordan on November 14, 2019. (Photo by Muhammad Hamed/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)