In this aerial image, Baker Lake is surrounded by Fall colors on October 8, 2022 near East Bolton, Quebec, Canada. (Photo by Sébastien St-Jean/AFP Photo)

Evie and Conor Enright, from Portmarnock pictured on a walk in Howth, Co. Dublin on December 30, 2022. (Photo by Damien Eagers for The Irish Times)

Happiness on a Rainy Day by Fardin Oyan, Bangladesh. Winner of the young environmental photographer of the year. Many children in Bangladesh love to bathe and play in the rain. The country, which is flat and occupied by the huge Ganges-Brahmaputra Delta, is exposed to floods, especially during monsoon season. (Photo by Fardin Oyan/2018 Ciwem environmental photographer of the year 2018)

A hot-air balloon flies over Metropolitan Park during the International Hot-Air Balloon Festival in Leon, state of Guanajuato, Mexico, on November 16, 2024. (Photo by Henry Romero/Reuters)

Swimmer silhouetted in a waterslide in the coastal suburb of Glenelg, Adelaide, Australia on January 21, 2025. (Photo by Amer Ghazzal/Alamy Live News)

Paul Kerr was able to capture this stunning vista of the aurora australis from Canberra, New Zealand on June 1, 2025. (Photo by Paul Kerr/Hold Still Photography)

“Two Brothers”. We found about 20 lions eating a buffalo. When the male leaved the group we anticipated him to take photos. It is 8AM, light is perfect and the position too. The lion stops and looks down from the hill, another lion is coming up, it stiffens, I think that will be a fight, i'm tense, the camera is OK, the shots previously made perfect. The two meet, looking directly into their eyes, they sniff, rub against their heads, the tension drops, they start walking with the same step as when they were puppies, they are two brothers. Photo location: Masai Mara, Kenya. (Photo and caption by Massimo Mei/National Geographic Photo Contest)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)