“Show us our butts! Mucawana tribe – Angola. In Soba village, the Muhacaona (Mucawana) tribe, perhaps the best place i have visited. They use cow dung and fat to make this so nice haircut, and love the beads. They asked me to make pictures of their backs... and butts to see on the camera screen if everything was perfect!”. (Photo and comments by Eric Lafforgue)

This image of a young bareback rider was taken in the village of Palenque de San Basilio, in Colombia’s Bolívar department. Founded by freed slaves in the 17th century, it became the first free town in the Americas, following a decree by the Spanish crown. Most of today’s inhabitants are direct descendants of those slaves and have preserved many of their customs, including their own language, Palenquero. (Photo by Sebastián Suki Beláustegui/The Guardian)

Mangrove in Walakiri Beach after Sunset in East Sumba, Indonesia in 2018. (Photo by Sarubabel Malau/Rex Features/Shutterstock)

The sunrise over the beach huts at Hamworthy Park in Poole, Dorset, United Kingdom on April 28, 2022. (Photo by Rachel Baker/Bournemouth News)

A worker holds the head of a fox while killing it with electricity for its fur at a fox farm in Nanzhuang village, Shandong province, China, December 11, 2015. There are over 60 households in the village still raising foxes, raccoon dogs and other animals for the fur trade. China is the world's largest fur producer and exporter, according to state media. (Photo by William Hong/Reuters)

High-rise buildings are partly covered by heavy fog at Hong Kong's Victoria Harbour Monday, March 20, 2017. Fog blanketing Hong Kong is common in springtime and may greatly affect shipping and aviation. (Photo by Vincent Yu/AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)