Workers sleep on a railway track under repair in New Delhi, India, June 15, 2018. (Photo by Saumya Khandelwal/Reuters)

Cars drive under a rainbow near Bad Langensalza, Germany, Wednesday, November 2, 2016. (Photo by Jens Meyer/AP Photo)

A schoolgirl walks on an under-construction railway track at Navapura, on the outskirts of Ahmedabad, November 29, 2019. (Photo by Amit Dave/Reuters)

Bad Christmas gift makes the pretty girl look disappointed in x-mas time under the christmas tree. (Photo by pixelrain/Rex Features/Shutterstock)

The Slauerhoffbrug (English: Slauerhoff Bridge) is a fully automatic bascule bridge (aka tail bridge) in the city of Leeuwarden in the Netherlands. It uses two arms to swing a section of road in and out of place within the road itself. It is also known as the “Slauerhoffbrug ‘Flying’ Drawbridge”. A tail bridge can quickly and efficiently be raised and lowered from one pylon (instead of hinges). This quickly allows water traffic to pass while only briefly stalling road traffic. The deck is 15 m by 15 m. It is painted in yellow and blue, representative of Leeuwarden's flag and seal.

There are so many little, seemingly simple, yet ingenious things that make our life so much simpler. Take scotch tape for example. It’s just a roll of thin plastic film that is sticky on one side, yet how much simpler it made the packaging process of various goods! However, the removal of scotch tape, now there is a problem. Unless you have something sharp, it’s nearly impossible to tear it. To combat this, a brand new product has come out. Rip cord tape – is a regular scotch tape combined with a rip cord. The manufacturer of this product claims that it will make the removal of scotch tape much easier. However, when we look at the pictures, we realize, that yes, the rip cord will remove the middle of the scotch tape; however, the sides will remain in place! This will once again present a problem during the removal process.

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)