Do you think that history is a science? Well, not exactly. First, and foremost, history is the state's “legend of wars”, it’s official regalia. Of course, public historians are not interested in scientific truth – quite the opposite. In this respect, any attempt to present a state’s history as altruistic and benevolent as possible is welcomed and encouraged – as opposed to any revisionism attempts that may be more accurate. In this matter, Chinese have surpassed us all – they revised in highly creative manner (but rather shamelessly) the technology already invented by Europeans, a process that resulted in oldest state on the planet. Here is an interesting paradox: ask any sinologist about the Middle Kingdom during second century B.C., and he will describe it to you in such a vivid manner as if he has been living there all his life – but as soon as you will ask him to describe Chinese history in the 19-20th centuries… let's say, his eagerness will be greatly diminished. However, we will discuss China in a different article, and in the meantime we will try to understand how exactly historic “legend of wars” is formed and functions – based on a specific and well-known example. A great example is Ferdinand Magellan's first voyage around the world.

New Zealand photographer Niki Boon captured her children, who are growing up with limited electronics, in the photo series “Childhood in the Raw Photos”. Niki Boon began taking photos as a hobby while she was working as a physiotherapist in Scotland. However, the New Zealand native found her interest in the art waning while she travelled, and it wasn’t until she had returned home and started raising a family that her passion was rekindled. “Childhood in the Raw”, an ongoing photo series of her four children’s technology-free life on her 10-acre property in New Zealand, is the perennial fruit of this passion. (Photo by Niki Boon)

Rush-hour in Russia means one thing for this daredevil: train surfing! The 19-year-old daredevil who goes by the name Kobzarro started train surfing aged 15 as a way of escaping an oppressive family life. Here Kobzarro can be seen balanced on top of a train as it speeds through the wintery Russian environment. Kobzarro is so dedicated to train surfing that she rarely gets inside a train. Even in winter she prefers to travel in this less conventional way. It has resulted in a few run ins with the law, but Kobzarro says it has never resulted in anything more serious than a fine, with many police officers even being interested in the train surfing community. (Photo by Caters News Agency)

A California Highway Patrol (CHP) officer detains a protestor while clearing a pro-Palestinian encampment after dispersal orders were given at the University of California, Los Angeles (UCLA) campus, on May 2, 2024 in Los Angeles, California. The camp was declared ‘unlawful’ by the university and over 100 protestors who refused to leave were detained during the operation. Pro-Palestinian encampments have sprung up at college campuses around the country with some protestors calling for schools to divest from Israeli interests amid the ongoing war in Gaza. (Photo by Mario Tama/Getty Images)

Policemen guard Poland's Supreme Court as a protester lies on the pavement in Warsaw, Poland, on Thursday, April 22, 2021. A disputed disciplinary body within Poland's Supreme Court is examining a motion that could result in the arrest of a judge who has become a symbol of the fight for an independent judiciary. (Photo by Czarek Sokolowski/AP Photo)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

A mobile phone cover with a picture of Russian President Vladimir Putin and which reads “Mr President” is seen in this photo illustration taken a in hotel room in Kazan, Russia, July 30, 2015. He may be in charge of an economy in crisis, but if mobile phone covers and souvenir mugs are a barometer of popularity, Russian President Vladimir Putin need not fear for his political future. In fact, Moscow's annexation of Crimea from Ukraine last year has given the memorabilia makers even more material to glorify, sometimes wryly, a president whose image as a champion of Russian national interests in a hostile world is barely challenged in his own country. (Photo by Stefan Wermuth/Reuters)

“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character...”. (Photo by Jane England)