South Korean band AESPA perform at ABC Good Morning America summer concert series in Central Park in New York City, U.S., July 8, 2022. (Photo by Eduardo Munoz/Reuters)

Sabine Pearlman‘s photographs find beauty in the destructive engineering of ammunition with this series of cross-sections of bullets cartridges from a Swiss bunker. They reveal the complexity inside each case. This series, which consists of 900 specimens, was photographed inside a WWII bunker in Switzerland. Pearlman says that she is intrigued by the beautiful complexity of the ammo set against its destructive purpose, at once showing off humanity’s ability to create and destroy.

A man helps a child to dress as Jawa, a character from the Star Wars movie series, during an event organised by Star Wars fan club Monterrey in Monterrey, Mexico, December 13, 2015. (Photo by Daniel Becerril/Reuters)

Ice Road Truckers is a reality television series that premiered on History on June 17, 2007. It features the activities of drivers who operate trucks on seasonal routes crossing frozen lakes and rivers in remote Arctic territories in Canada and Alaska. Later series were focused on Alaska's improved but still remote Dalton Highway which is mainly snow covered solid ground.

Austrian photographer Klaus Pichler has come up with an interesting and creative take on portrait photography – his photo series “Just The Two Of Us” features portraits of people dressed as their cosplay alter-egos. What’s fun about this series is that it seems to combine the costumed characters and the people wearing them, as the sometimes-fearsome characters are photographed in the relatively tame safety of their own homes.

Charlotte Bridgeman poses for a series of triptych portraits during New York Fashion Week February 6, 2014. Bridgeman, from Australia, is attending her second fashion week. (Photo by Carlo Allegri/Reuters)

Myoung Ho Lee‘s 2007 Tree series is about as peaceful and serene as the scenery itself. In the series, the young South Korean photographer touches upon the subjects of physical isolation and visual confirmation. By placing the tree in front of a stark white background, Lee creates a false separation that plays a delightful game with the mind’s eye.