Beautician Alex Smith, 26, does the nails of Jules Aspen, 40, at the Madame Beauty salon in Chirton, North Tyneside, UK on July 13, 2020. Nail bars, beauty salons, tattoo and massage studios, physical therapy businesses, spas and piercing services are able to reopen in the latest lifting of restrictions in England. (Photo by Owen Humphreys/PA Images via Getty Images)

Participants with traditional Japanese tattoos (Irezumi), related to the Yakuza, walk through the Asakusa district during the annual Sanja Matsuri festival in Tokyo on May 20, 2018. Sanja Matsuri festival is a celebration for the three founders of Sensoji Temple in the Asakusa neighbourhood with nearly two million people visiting during the three-day event. (Photo by Behrouz Mehri/AFP Photo)

Regina Hall pours on the hand sanitizer after taking long distance selfies with fans in NYC amid massive closures due to the coronavirus on March 12, 2020. (Photo by DIGGZY/Splash News and Pictures)

Women carry pitchers after filling them with water from a hand pump to their houses in Thane district in the western state of Maharashtra, India, May 30, 2019. (Photo by Francis Mascarenhas/Reuters)

A woman hands flowers to a member of the Wisconsin National Guard standing by as people gather for a vigil, following the police shooting of Jacob Blake, a Black man, in Kenosha, Wisconsin, U.S., August 28, 2020. (Photo by Brendan McDermid/Reuters)

A hand-painted sign encouraging citizens to vote, sits with Halloween decorations in the front yard of a home in Chapel Hill, North Carolina, U.S. October 20, 2024. (Photo by Jonathan Drake/Reuters)

Cast member George Clooney kisses the hand of his wife Amal Clooney on the red carpet for the screening of ”Jay Kelly” on August 28, 2025. (Photo by Yara Nardi/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)