Passengers ride an overcrowded bus as they head towards their village to celebrate "Dashain", the biggest religious festival for Hindus in Nepal, as fuel crisis continues in Kathmandu, October 20, 2015. Many people who live in Nepal's capital hail from districts outside the Kathmandu Valley and return home for the festival. (Photo by Navesh Chitrakar/Reuters)

Photographer Frank Relle takes long-exposure images of houses in New Orleans. Says Relle, “The city at night comes alive for me. I imagine stories about the people’s lives inside the homes based on the evidence on the outside. My photographs become a portrait without the person. The night obscures details and the lack of information gives possibility”. Photo: “Telemachus”. Farragut Street, New Orleans, La. Nov. 2006. (Photo by Frank Relle)

(L-R) A man nicknamed "Barcelona", Alexey Bolotov and Alexey Jakushin drink vodka as they travel by a pioneer motorised railcar on their way to Kalach, Sverdlovsk region, Russia October 18, 2015. The "pioneer," a light auxiliary rail vehicle, is a popular form of transport among people who live along the Alapayevsk railway. In a remote corner of the Urals region at the end of a narrow-gauge railway is Kalach, population about a dozen. Three decades ago 600 people called the village home, but the local forestry industry suffered as the former Soviet Union imploded and people moved away in search of work. In Kalach today there are no telephones, no mobile reception and only a few hours of electricity a day. (Photo by Maxim Zmeyev/Reuters)

“The series of photos called Workwears, by French photographer Bruno Fert, visually juxtaposes people’s private lives with their lives at work. A firefighter, a fisherman, a nurse, a diver, a judge. One by one, Fert’s photos show people in their homes wearing everyday clothing – followed by another photo showing them dressed in the clothing of their chosen professions. Our reaction, Fert said, reminds us how tightly humans hold on to certain stereotypes about some professions. “I like to break those stereotypes”, he said”. – Thom Patterson via CNN. Here: Lola is seen at left in everyday clothes – and then at right in her work clothes. She works as a clown in Paris. (Photo by Bruno Fert/Picturetank)

A woman leaves with her television set, as she and others are evicted from their apartment blocks close to the site of last week's building collapse, after their homes were deemed unfit for habitation and marked for demolition, in the Huruma neighborhood of Nairobi, Kenya Friday, May 6, 2016. Following a building collapse which claimed at least 40 lives with more 80 people still unaccounted for, after severe flooding, the government has ordered the demolition of similar unsafe buildings in the area. (Photo by Ben Curtis/AP Photo)

Laura Titch, dressed as Mary of Guise, and Duncan Maclachlan, dressed as Alexander of Stewart, rehearse for Stirling Castle's grand renaissance palace opening on June 3, 2011 in Stirling, Scotland. The palace has been closed for two years, while a Ј12 million pound project was undertaken to return the palace to how it might have looked back in the 1540s, when it was home to Mary of Guise, the widow of James V. Their daughter, Mary Queen of Scots, was raised there before living in France. (Photo by Jeff J Mitchell/Getty Images)

Living on the edge of Exmoor, Rob takes his inspiration from the rolling countryside surrounding his home, where each Bough House sculpture takes several months to construct. The designs do not follow an explicit plan or process, each piece is unique. They evolve and flow freely, as part of a creative journey which has no natural limit, whilst also revealing great logic and engineering integrity. Every aerial walkway or staircase leads to a room - there are no dead-ends and every turret and tower can be reached.

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.