Stiliana Nikolova of Bulgaria performs her ball exercise in the final of the individual competition of the 40th European Rhytmic Gymanstics Championships in Budapest, Hungary, 25 May 2024. (Photo by Tibor Illyes/EPA)

American vedette, burlesque dancer, model, and businesswoman Heather Renée Sweet, known professionally as Dita Von Teese looking stunning while advertising new items from her own underwear range in the last decade of January 2023. (Photo by TNI Press Ltd)

British model Megan Barton-Hanson seen at the filming of Celebs Go Dating at Opium club on August 07, 2019 in London, England. (Photo by Splash News and Pictures)

British singer-songwriter Raye (L) during The BRIT Awards 2021 at The O2 Arena on May 11, 2021 in London, England. (Photo by JMEnternational/JMEnternational for Brit Awards/Getty Images)

A craftsman makes imitation bread samples at The Sample Factory on February 25, 2008 in Gujo, Gifu, Japan. Gujo City has more than a 50 percent share of the imitation vinyl chloride samples industry. Replica foods are used in most restaurant window displays in Japan, and are popular as souvenirs for tourists. (Photo by Koichi Kamoshida/Getty Images)

Dressed in a torn sleeveless t-shirt, sweatpants, and an ominous looking gas mask, the talented mind of Jessica Dunegan swirls with creative ideas for turn flat pictures into surreal pieces of art with depth, texture, and shine. Jessica’s selection of media is far different than most creators of surreal portraits.

Lissy Elle is a Canadian photographer who creates mysterious and dreamy images through the use of props and photo manipulation. Full of woods, classic tales references, giant teacups and girls defying gravity, her work is both engaging and disturbing, it transports us to an oniric world, or is it a nightmare?

These stunning color portraits, produced by the U.S. Office of War Information during World War II depict the role of women in the US war effort. All of the images were shot on 4x5 color transparency film by Howard R. Hollem and Alfred T. Palmer during 1942 and 1943 and were turned over to the Library of Congress Prints and Photographs Division in 1944. They are seen here with their original captions.