This family of warthogs regularly visited our campsite in the Ethiopian highlands so I set up a remote camera with a wide-angle lens to photograph them as they rummaged around for food. They just had a mud bath. (Photo by Will Burrard-Lucas/Caters News Agency)

Pedestrians stop to look at and photograph a DeLorean Motor Company DMC-12 customized to look identical to the car used in the film "Back to the Future Part II" and that will be part of a Lyft promotion in New York, October 21, 2015. In the 1989 movie, main character Marty McFly traveled to the future to October 21, 2015. (Photo by Lucas Jackson/Reuters)

An Iraqi Shi'ite boy poses for a photograph as Iraq Shi'ite Muslims commemorate Ashura in Baghdad, October 24, 2015. Ashura, which falls on the 10th day of the Islamic month of Muharram, commemorates the death of Imam Hussein, grandson of Prophet Mohammad, who was killed in the seventh century battle of Kerbala. (Photo by Ahmed Saad/Reuters)

Drastic inequality is by no means new in New York. Jacob A. Riis was called a muckraker after he chose to spotlight the city’s poverty at the turn of the 20th century by photographing it. Here: Sweatshop in Hester Street, 1889-1890. (Photo by Jacob A. Riis/Museum of the City of New York, Gift of Roger William Riis)

A photographer takes a snapshot of the reflection of balloons as they take off from Balloon fiesta park in Corrales, N.M., near a north diversion channel reservoir Wednesday, October 7, 2015. (Photo by Roberto E. Rosales/Albuquerque Journal via AP Photo)

A Filipino transgender woman holds a huge red ribbon symbolizing fight against the HIV virus as she poses before photographers, during a World Aids Day celebration in Manila, Philippines, December 1, 2015. (Photo by Erik De Castro/Reuters)

A model is photographed as she gets her make up done backstage prior to Dino Alves's runway show during the 51st Lisbon Fashion Week, in Lisbon, Portugal, 14 October 2018. (Photo by Jose Sena Goulao/EPA/EFE)

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.