A horse grazes on railway tracks near the old train station on the the Northeast railroad (Ferrovia do Nordeste) in the city of Missao Velha, Ceara state, northeastern Brazil, October 25, 2016. (Photo by Ueslei Marcelino/Reuters)

A vendor (C) serves customers at a vegetable market as a commuter train passes in Jakarta October 2, 2015. Indonesia's high annual inflation rate cooled in September and should drop more by year-end, but it likely will be 2016 before the central bank can cut interest rates to help an economy growing at its slowest pace in six years. (Photo by Reuters/Beawiharta)

A veterinarian kisses an 8-month-old cat, wearing a prosthetic two-wheel device, at a veterinary hospital in Chongqing municipality, March 16, 2015. The cat's rear legs lost the abilty to walk after falling from the ninth to fifth floor of a building last November, its since undergone four major surgeries which included removing parts of its organs, local media reported. (Photo by Reuters/China Daily)

A three-year-old girl smokes a cigar during the Saint Simon celebrations in San Andres Itzapa, Guatemala, on October 28, 2019. Thousands believe that the saint helps people find work, solves family problems and cures illnesses. (Photo by Orlando Estrada/AFP Photo)

An Indonesian vendor fixes a headscarf on a mannequin at a market in Jakarta in this December 21, 2006 file photo. (Photo by Reuters/Beawiharta)

A polar bear whose bottom half is caked in oily black gunk. A whale wrapped in striped fabric: a pseudo straightjacket. These are the messes climate change leaves behind, the things we know are happening but often don’t have the opportunity to see with our own eyes. Swiss street art duo Christian Rebecchi and Pablo Togni, otherwise known as NeverCrew, met in art school when they were 15 and started making work together soon after. As a team, the artists adorn the world with eye-popping and gut-wrenching images depicting the consequences of humanity’s actions on earth. (Photo by NeverCrew/The Huffington Post)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

A girl carries on her head a pile of dried shrubs she gathered for cooking and heating, in Kabul, Afghanistan November 18, 2015. (Photo by Omar Sobhani/Reuters)