Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Over the years a large population of grey herons have made an unlikely home in urban Amsterdam. Julie Hrudova documents how the birds integrate into city life. Here: Hundreds of herons come to the city during winter to find food and shelter. (Photo by by Julie Hrudova/The Guardian)

Ray Collins is a colorblind Australian coal miner who is in love with the ocean. He spends his off days photographing it. Collins says he enjoys capturing the moment before the moment, the anticipation, not knowing how the end of the wave's journey will play out. (Photo by Ray Collins)

“Noh, or Nogaku – derived from the Japanese word for “skill” or “talent” – is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh “performance day” lasts all day and consists of five Noh plays interspersed with shorter, humorous kyōgen pieces. However, present-day Noh performances often consist of two Noh plays with one Kyōgen play in between”. – Wikipedia

Photo: A renowned Noh actor, Otoshige Sakai, demostrates how to put on a Noh mask, on May 17, 2004 in Tokyo, Japan. (Photo by Koichi Kamoshida/Getty Images)

Japanese artist Megumi Igarashi, known as Rokudenashiko, holds her artwork after a news conference following a court appearance in Tokyo April 15, 2015. A Japanese artist on trial for obscenity after making figurines and a kayak modeled on her v*gina said on Wednesday that there was nothing wrong with her artwork and her arrest merely showed how far Japan remains behind the west. Words in the artwork read “Centre. 3D scan”. (Photo by Toru Hanai/Reuters)

An old toilet is displayed during the “Toilet!? Human Waste and Earth's Future” exhibition at The National Museum of Emerging Science and Innovation – Miraikan on July 1, 2014 in Tokyo, Japan. The exhibition focuses on how the toilet has changed our daily lives and discovers what the most environment-friendly and ideal toilet is. (Photo by Keith Tsuji/Getty Images)

In his newest series of photos called Low Tech, Kevin Twomey artfully captures the complexity of old-style typewriters and similar machines. Despite being completely outdated, you cannot help being amazed at how complicated those “simple” devises really are. Hundreds of little parts were meticulously put together to form a machine that would perform such “basic” functions by today’s standards. Similarly, very few modern people actually think about how complicated the current technology really is. We take for granted streaming videos, GPS, and countless devises that we use every day, while in reality, these things would seem like magic to even the most prominent scientists from only half a century ago. (Photo by Kevin Twomey)

Tsewang Dolma, 33, a farmer and housewife poses for a photograph in Matho, a village nestled high in the Indian Himalayas, India September 29, 2016. When asked how living in the world's fastest growing major economy had affected life, Dolma replied: “Our culture is spoiled now. We don't wear our traditional dress”. (Photo by Cathal McNaughton/Reuters)