Revellers at the Chin Chin music festival in Amsterdam, Netherlands on July 3, 2021. The festival season has started with a QR code, one can enter, corona proof or vaccination proof in the corona check app. (Photo by Robin Utrecht/Rex Features/Shutterstock)

A participant wearing his cosplay featuring a character from an animation gets his government contact tracing QR code in the “LeaveHomeSafe” COVID-19 mobile app scanned at Ani-Com and Games exhibition in Hong Kong, Friday, July 29, 2022. (Photo by Kin Cheung/AP Photo)

Artist Pyotr Pavlensky sits on the wall enclosing the Serbsky State Scientific Center for Social and Forensic Psychiatry after he cut off a part of his earlobe during his protest action titled “Segregation” in Moscow October 19, 2014. Pavlensky protested against the usage of forensic psychiatry for politically motivated purposes. He cut off his earlobe to demonstrate how authorities could “cut off” an unwanted individual from society by using psychiatric and medical diagnosis to forcefully send a person to a penitentiary hospital, according to Pavlensky. (Photo by Maxim Zmeyev/Reuters)

Recycling artist Nicolas Gomez checks the strings of a cello he has made out of an oil barrel for the Orchestra of Recycled Instruments of Cateura, in Cateura, Paraguay February 13, 2015. Saudi Arabia's oil exports have risen in February in response to stronger demand from customers. As OPEC's top producer battles for market share Reuters photographers around the globe have been photographing oil barrels to document how they are utilised once the fuel has been used. (Photo by Jorge Adorno/Reuters)

“The Reversible Destiny Lofts – Mitaka (In Memory of Helen Keller) is a nine-unit multiple dwelling. It was first completed example of procedural architecture put to residential use. These lofts reflexively articulate the residents’ operative tendencies and coordinating skills essential to and determinative of human thought and behavior; which means to say, the lofts manage, by virtue of how they are constructed, to reveal to their residents the ins and outs of what makes a person, in this case the resident. This is the same set of tendencies and skills to which Arakawa and Madeline Gins gave diagrammatic form in their decades-long research project The Mechanism of Meaning”. – Wikipedia

Photo: The exterior of the concept design home “Reversible Destiny Lofts MITAKA: In Memory of Helen Keller” is seen on October 27, 2005 in Tokyo, Japan. (Photo by Koichi Kamoshida/Getty Images)

Looking for a reason to visit the Philippines? This mermaid school should do the trick. No, seriously, there’s an actual school that will teach you how to be a mermaid. It’s called the Philippines Mermaid Swimming Academy. (Photo by Philippine Mermaid Swimming Academy/Exclusivepix Media)

This watering hole is the social hub of the veldt; the scrubby grasslands that stretch across Namibia. The scorched earth supports sometimes fragile populations of magnificent wildlife – from endangered predators to plentiful herds of game. But these gentle giraffes and elephants need to be careful: lions don’t sleep at night, they hunt! The spectacular starscape above southern Africa is unchanged since explorers first mapped the continent. The photographer, Pietro Olivetta from Italy, said he had to be patient to capture these shots – but it was worth the wait. (Photo by Pietro Olivetta/Caters News)

Jenny Odell repurposes online imagery mostly from Google Maps, but also from YouTube, Craigslist, and other sites. In her “Satellite Collections”, for example, she incorporated aerial views of swimming pools, basketball courts, parking lots, and other recognizable structures, seen from space. Her more recent series, “Satellite Landscapes”, includes painstakingly isolated Google Maps imagery of oil refineries, wastewater treatment plants, solar farms, etc. This work is meant as a reminder of our physically determined and vulnerable existence, since we depend on many of these things for survival and maintenance of our way of life. Photo: Natural gas plant in Pittsburg, CA (detail of Power Landscape), 2013. (Photo by Jenny Odell)