Young people play with foam during a march to commemorate Youth Day in Caracas, Venezuela, 12 February 2025. The president of Venezuela's National Assembly (AN, Parliament), Chavista Jorge Rodriguez, invited, before hundreds of followers who commemorated Youth Day, all young migrants to return to the country so that they can “build a prosperous homeland”. (Photo by Ronald Pena R./EPA)

ISS Expedition 66 main crew member, actress Yulia Peresild blows a kiss through a bus window as she leaves for the Baikonur Cosmodrome in Kazakhstan on October 5, 2021. The launch of the Soyuz MS-19 mission to be involved in making the feature film “The Challenge” (working title) aboard the International Space Station is scheduled for 5 October 2021 at 11:55 Moscow time from the Baikonur Cosmodrome. (Photo by Sergei Savostyanov/TASS)

A demonstrator attends a protest against fare hikes for city buses in Rio de Janeiro January 16, 2015. Amid a marked economic downturn and high inflation, bus fares went up in Sao Paulo, Brazil's largest city, from 3 to 3.50 reais, and in Rio, the former capital, from 3.0 to 3.40 reais. (Photo by Mauro Pimentel/Reuters)

Protesters wear masks, the left in the colors of the Kenyan national flag, as they join others carrying mock coffins and red-painted crosses, symbolizing the blood of the 28 non-Muslims singled out and killed in the recent attack on a bus in Mandera by Somali militant group al-Shabab, outside government offices in downtown Nairobi, Kenya Tuesday, November 25, 2014. (Photo by Ben Curtis/AP Photo)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

“The inspiration for this book came to me one afternoon as I watched my son, Hudson, playing with his toy bus. I was trying to keep pace with his three-year-old mind as he got deeper and deeper into a fantasy involving nothing more than a yellow plastic box and armless figurines. At least that’s what I saw. He saw frantic commuters rushing to catch the 77 local bus to Australia. He jumped in place, mouth open and slapping his knees, joyously reacting to a world I couldn’t see, but one powerfully present for him...”. – Jordan Matter

Photo: “Dancers Among Us”: Macys, NYC – Annmaria Mazzini. (Photo by Jordan Matter)

A protesting student runs past a burning bus off campus outside the University of the Witwatersrand in Johannesburg, South Africa on Monday, October 10, 2016. Tear gas and water cannon were fired as hundreds of students protested at the university amid a bitter national dispute with university managers and the government over demonstrators' demands for free education, forcing student into the neighbouring city streets. (Photo by AP Photo)

Two grasshoppers on the Shark Valley Hiking Trail, at the Everglades National Park near Miami, Florida, USA, 12 August 2025. Located in the southernmost part of Florida, the Everglades wetland is recognized by the United Nations Educational, Scientific and Cultural Organization (UNESCO) as one of the most unique ecosystems in the world due to its unparalleled biodiversity. A lawsuit over the potential environmental impact of the construction of “Alligator Alcatraz” has halted further construction on this new migrant detention center. (Photo by Cristóbal Herrera/EPA)