Andy Kehoe recently returned to New York for his third solo show with Jonathan LeVine Gallery. Entitled Luminous Reverie, this show explores the idea of experiencing a lucid moment while drifting along in a daydream. We enjoyed the works, which continued the new direction that he premiered during a show in Los Angeles last year (covered). Again, Kehoe explores the technique of painting layers upon layers of resin and creating a natural 3-D visual element for the viewers to enjoy. This show will be up until June 15th, so stop by and check it out if you’re in NYC.

An E.T. doll is seen while construction workers prepare to dig into a landfill in Alamogordo, N.M., Saturday, April 26, 2014. Producers of a documentary are digging in the landfill in search of millions of cartridges of the Atari “E.T. The Extra-Terrestrial” game that has been called the worst game in the history of videogaming. A New York Times article from 1983 reported that Atari cartridges of “E.T. The Extraterrestrial” were dumped in the landfill in Alamogordo. (Photo by Juan Carlos Llorca/AP Photo)

New York based artist Jason Freeny slices open pop-culture characters to reveal their insides. He takes vinyl toys of annimated icons such as Stewie Griffin, Nemo and Mario, and stuffs them with Sculpey modelling clay. He then carves out bones aqnd organs using dental tools.

French photographer Laurent Chehere's “Flying Houses” exhibit takes workaday houses and lets them lift the imagination. The exhibit is showing at the Muriel Guépin Gallery in New York. Photo: Laurent Chehere's “Flying Houses”: “The Great Illusion”. (Photo by Laurent Chehere)

Created by ceramic artist Mary O’Malley, who studied in Philadelphia and now resides in Long Island, New York, the Bottom Feeders series is particularly inspired by childhood memories and her newly familiar surroundings next to the sea. By combining the imagery of sea creatures with the elegance of tea time, O'Malley envisions a whimsical occasion worthy of such fictional characters a Davy Jones and Alice.

These sand-swept images show the ghostly remains of what was once a mineral-rich mining community. In its heyday, the town of Kolmanskop, Namibia, was home to about 700 families. Now all that remains are empty homes filled with sand, while cast-off items such as bathtubs are scattered about the surrounding area. Over time, the sand of the stunning dunes that encircle the town of Kolmanskop has been blown towards the abandoned residences, coating everything from streets to the interiors of houses and workshops. Here: Kolmankop, an abandoned mining town in Namibia. (Photo by David Ogden/Caters News)

KidZania provides children and their parents a safe, unique, and very realistic educational environment that allows kids between the ages of four to twelve to do what comes naturally to them: role-playing by mimicking traditionally adult activities. As in the real world, children perform “jobs” and are either paid for their work (as a fireman, doctor, police officer, journalist, shopkeeper, etc.) or pay to shop or to be entertained. The indoor theme park is a city built to scale for children, complete with buildings, paved streets, vehicles, a functioning economy, and recognizable destinations in the form of “establishments” sponsored and branded by leading multi-national and local brands.

IT'S a relatively simple idea – set up a mirror so you can capture the reflection of a dramatic landscape in a single photograph. Photographer Daniel Kukla, from New York, created a spectacular series of artworks called The Edge Effect using the technique. He clamped the mirror onto an easel and placed it in various settings in the Joshua Tree National Park, California.