Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

Gina Di Meo, journalist from ANSA sits during a media preview of Summit at One Vanderbilt in New York, October 1, 2021. The Summit viewing deck is spread across the top four floors on One Vanderbilt in Manhattan, the fourth tallest building in the city. (Photo by Timothy A. Clary/AFP Photo)

An aerial view of the figure of a Catrina skull made with 18,000 Cempasuchil flowers (Mexican marigold) is on display at the Church of Santa Prisca as part of Day of the Dead celebrations, in Taxco, Mexico on October 27, 2021. (Photo by Daniel Cardenas/Anadolu Agency via Getty Images)

An a music therapist plays harp during treatment of patients suffering from the coronavirus disease (COVID-19) in the Intensive Care Unit (ICU) at Havelhoehe community hospital in Berlin, Germany, December 6, 2021. (Photo by Fabrizio Bensch/Reuters)

Woman enjoying the sun on one of Maui's black sand beaches, Hawaii, United States of America, North America on February 25, 2022. (Photo by Laura Grier/Robert Harding RF via AFP Photo)

Capturing this picture of lightning striking near Blackpool Tower has earned Stephen Cheatley the UK Weather Photographer of the Year award 2018. (Photo by Stephen Cheatley/Bav Media)

A woman crosses a road outside the EU Parliament ahead of the EU elections in Brussels, Belgium, May 22, 2019. (Photo by Yves Herman/Reuters)

Reuters multi-award winning photographers are celebrated here in a three part retrospective on the 30th anniversary of the service's launch. They have captured dramatic images illustrating the human tragedy of natural disaster and war as well as the fallout of economic events across the continents, creating iconic images, recognised around the world. Here: an injured soccer fan is carried to safety by a friend after a wall collapsed during violence between fans before the European Cup final between Juventus and Liverpool at the Heysel stadium in Brussels, May 29, 1985. 39 people died, and a further 600 were injured. (Photo by Nick Didlick/Reuters)