Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.

Del Mar firefighters roll up hose after a day fighting wildfires Wednesday, May 14, 2014, in Carlsbad, Calif. More wildfires broke out Wednesday in San Diego County, threatening homes in Carlsbad and forcing the evacuations of military housing and an elementary school at Camp Pendleton. (Photo by AP Photo)

A farmer sleeps near cows at the International Agricultural Show in Paris, France, February 29, 2016. The Paris Farm Show runs from February 27 to March 6, 2016. (Photo by Benoit Tessier/Reuters)

A young Afghan vendor waits for customers to buy sheep's heads at a roadside stall at the busy market in Kabul on November 29, 2015. (Photo by Wakil Kohsar/AFP Photo)

A Rohingya refugee girl named Rufia Begum, aged 9, poses for a photograph as she wears thanaka paste at Balukhali camp in Cox's Bazaar, Bangladesh, March 31, 2018. (Photo by Clodagh Kilcoyne/Reuters)