Thailand’s Sanctuary of Truth is an all-wood building filled with sculptures based on traditional Buddhist and Hindu motifs. It is covered in intricate wood carvings, meant to depict complex ideas about ancient thought, human responsibility, and the cycle of life. (Photo by Yury Taranik/Getty Inages)

A specialist from a local veterinary service wears a protective suit as sprays disinfectant near Russian tanks displayed at area near Proryv (The Breakthrough) museum dedicated to the breakthrough of the Siege of Leningrad during World WarII near Kirovsk, about 30 kilometres (19 miles) east of St.Petersburg, Russia, Thursday, April 2, 2020. (Photo by Dmitri Lovetsky/AP Photo)

A man carrying wall-clocks for sale walks along closed currency exchange shops, in Peshawar, Pakistan on September 12, 2023. (Photo by Fayaz Aziz/Reuters)

An ethnic Shan artist performs during a ceremony to mark the 8th anniversary of the Nationwide Ceasefire Agreement (NCA) at the Myanmar International Convention Center in Naypyitaw, Myanmar, Sunday, October 15, 2023. (Photo by Aung Shine Oo/AP Photo)

A Pakistani policeman wades across floodwaters in Lahore on August 19, 2024. Flash floods triggered by the latest spell of monsoon rains are wreaking havoc across parts of Pakistan, claiming the lives of 14 people in the previous 24 hours, an official at the provincial disaster management authority said on August 19. (Photo by Tahir Jamil Khan/Radio Free Europe/Radio Liberty)

A little girl rubs her tired eyes during the first day at the lyceum named after Moldovan writer Gheorghe Asachi in Chisinau on September 2, 2024. (Photo by Dumitru Doru/Radio Free Europe/Radio Liberty)

The new MacBook Pro is shown during the keynote address at the Apple 2012 World Wide Developers Conference (WWDC) at Moscone West on June 11, 2012 in San Francisco, California. This is Apple’s latest flagship laptop featuring an updated processor and a super high resolution screen that features 5.1 million pixels – 3 million more than a typical high-definition television.

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)