Male and female bodybuilders prepare backstage to compete during the Asia Pacific Bodybuilding Championships 2019 in Bangkok, Thailand, 17 August 2019. Hundreds of bodybuilders from Asia Pacific countries are set to flex their muscles to compete in the contest. (Photo by Rungroj Yongrit/EPA/EFE)

Rapper Cardi B is seen in Paris, France on September 30, 2019 at Paris Fashion Week. (Photo by Splash News and Pictures)

An aircraft flies past sculptures of dinosaurs at the “Valley of Animals” park in Chandigarh, India on November 9, 2019. (Photo by Vijay Mathur/AFP Photo)

Sakakibara Kikai's engineer Go Sakakibara poses with the bipedal robot Mononofu during its demonstration at its factory in Shinto Village, Gunma Prefecture, Japan on April 12, 2018. Developed at Sakakibara Kikai, a maker of farming machinery, LW-Mononofu is a 28-feet tall, two-legged robot weighing in at more than 7 tonnes. It contains a cockpit with monitors and levers for the pilot to control the robot's arms and legs. (Photo by Kim Kyung-Hoon/Reuters)

Cristiano Ronaldo's fiancee Georgina Rodriguez in the second decade of August 2025 took social media by storm. (Photo by Instagram)

A man drinks at a "colored" water cooler in a streetcar terminal in Oklahoma City, July 1939. (Photo by Reuters/Library of Congress)

Japanese sumo wrestler Kisenosato (C) holds a red sea bream next to his stablemaster Tagonoura's wife Kotomi as he celebtares after receiving messengers from the Japan Sumo Association bringing official notice of his promotion to Yokozuna, or grand champion, during a ceremony in Tokyo, Japan, January 25, 2017. (Photo by Toru Hanai/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)