South Korean football fans react during a public screening in Seoul of the South Korea vs Russia football match at the 2014 World Cup in Brazil, early on June 18, 2014. (Photo by Ed Jones/AFP Photo)
North Korean leader Kim Jong Un, and former NBA star Dennis Rodman watch North Korean and U.S. players in an exhibition basketball game at an arena in Pyongyang, North Korea, on Thursday. Rodman arrived in Pyongyang on Monday with three members of the Harlem Globetrotters basketball team to shoot an episode on North Korea for a new weekly HBO series.
A street vendor sells Dalgona candy from the Korean Netflix series “Squid Game” at a Dalgona shop in Seoul, South Korea, October 1, 2021. (Photo by Heo Ran/Reuters)
Models pose backstage at the Boy and Girl by Band of Outsiders Spring 2012 fashion show during Mercedes-Benz Fashion Week on September 10, 2011 in New York City. (Photo by Chelsea Lauren/Getty Images)
Angler Thomas Rielly catches a fish during the opening of the salmon fishing season on the River Tay January 16, 2012 in Kenmore, Scotland. A procession with a pipe band and anglers made its way through Kenmore at the east end of Loch Tay to mark the start of the 2012 salmon season on the River Tay. (Photo by Jeff J. Mitchell/Getty Images)
Fyn Baily aged eight at the Bloodstock festival on August 13, 2011 in Walton-on-Trent, United Kingdom. Bloodstock is the UK's largest heavy metal festival and features both established and unsigned bands over four days. (Photo by Bethany Clarke/Getty Images)
A reveler poses for pictures at the Victorian Picnic during the Wave and Goth festival in Leipzig June 6, 2014. The annual festival, known in Germany as Wave-Gotik Treffen (WGT), features over 150 bands and artist in venues all over the city playing Gothic rock and other styles of the dark wave music subculture. The event, one of the biggest of its kind, attracts a regular audience of up to 20,000, the organizers said. REUTERS/Thomas Peter
Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.