“People of the River”. This is a Karo tribe family; father, mother, two sisters and two brothers. The tribe, who live along the Omo River in east Africa, incorporate rich symbolism into their rituals by using ornate body art, headdresses and body scarification to express beauty and significance. (Photo by Jatenipat Ketpradit/International Portrait Photographer of the Year)

Behaviour: Mammals category. Giant Gathering by Tony Wu, USA. Dozens of sperm whales mingled noisily off Sri Lanka’s northeast coast, stacked as far down as Tony could see. This was a congregation of dozens of social units, like a gathering of the clans. Aggregations like this could be a critical part of the whales’ rich social lives but are rarely reported. Some two thirds of the population was wiped out before commercial whaling was banned in 1986. This kind of major gathering could be “a sign that populations are recovering”, says Tony. (Photo by Tony Wu/Wildlife Photographer of the Year 2017)

Highly commended, mammals: Gelada after the storm – Marco Gaiotti (Italy). “Gelada baboons are the only monkey species in the world that feed on grasses. They are native to the tableland of Ethiopia. Every morning large family groups wander from their sleeping places in the steep rock face, up to 1,000 metres high, to the feeding grounds at the tablelands. This image clearly depicts their feeding strategy: they pull out bunches of grass, sort the stalks and then lift them to their mouth. This shot was taken towards the end of the rainy season after a heavy storm”. (Photo by Marco Gaiotti/2019 GDT European Wildlife Photographer of the Year)

A photographer has shot this series of scenic selfies – scaling freezing mountain tops to snap himself in front of stunning scenery. Paul Zizkas breath-taking work features himself in front of beautiful backdrops such as shimmering lakes, snowy mountains and vibrant auroras. He has travelled to a number of different locations worldwide including Canada, New Zealand, Niue the South Pacific and French Polynesia. Explorer Paul, from Banff, Alberta, Canada, saw his selfies go viral early in 2014 – and has now unveiled his latest work. He said: I find that sometimes including a person in a landscape scene adds to the photograph – that it conveys a different story. Here: lake Minnewanka, Banff National Park, Alberta, Canada. (Photo by Paul Zizkas/Caters News)

These are the stunning images of what looks like a picturesque winter wonderland – but actually shot in the middle of summer. Amateur photographer Catherine Perkinton, 45, has spent the summer travelling around the country to create the fabulous images by utilising infra-red. (Photo by Catherine Perkinton/SWNS/ABACAPress)

Wildlife photographer Kevin Fleming has covered the world as a photographer for National Geographic and has been recognized America’s Best Observer by Readers Digest. His assignments have taken him into war and famine in Somalia, to the Mediterranean for a re-creation of the voyage of Ulysses and put him on a dogsled crossing the Canadian arctic. Now Kevin is working on his 27th book. Here: Red fox kits look out from a hollow log. (Photo by Kevin Fleming)

“Life in War” (FotoEvidence Press) by Iranian photographer Majid Saeedi is probably the only book about Afghanistan that doesn’t show images of war. For ten years his camera photographed daily life in the context of war. His photographs reveal the humanity of a people living through decades of war. Here: Afghan men escape increasing summer temperatures by wading in the Qarga reservoir on July 9, 2010 in a suburb of Kabul, Afghanistan. (Photo by Majid Saeedi/Getty Images)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)