(2nd from R) Miss Georgia Betty Cantrell reacts to advancing, en route to victory, at the Miss America Pageant at Boardwalk Hall, in Atlantic City, New Jersey, September 13, 2015. (Photo by Mark Makela/Reuters)

Moldova's Victor Ciobanu in action with Georgia's Dato Chkhartishvili during the men's 60kg semi final at the World Wrestling Olympic Games Qualifier in Sofia, Bulgaria on May 8, 2021. (Photo by Stoyan Nenov/Reuters)

American singer-songwriter Olivia Rodrigo (R) seen at BRIT Awards 2022 Sam Fender's After Party at Four Quarters in Peckham on February 08, 2022 in London, England. (Photo by Neil Mockford/Ricky Vigil M/GC Images)

A woman dressed in traditional clothing visits a business street in Beijing on June 5, 2024. (Photo by Wang Zhao/AFP Photo)

Alexander Levine crosses the Verrazzano-Narrows Bridge during the marathon in New York on November 3, 2024. (Photo by Brendan Mcdermid/Reuters)

Enthusiast dressed as zombies take part in the Zombie Walk event on September 14, 2019 in the eastern French city of Strasbourg, within the framework of the 12th edition of the European Fantastic Film festival, which runs from September 14 to 22. (Photo by Frederick Florin/AFP Photo)

Dancers attend a dress rehearsal for the new grand show “THE WYLD” at Friedrichstadt-Palast in Berlin October 2, 2014. Ten choreographers are working with 60 dancers from the world's largest show ballet company to create the flamboyant stage spectacle. The show's name, “THE WYLD”, represents human nature in its diversity and the wilderness of the big city – in this case, Berlin. The premiere of the 10.6 million euro ($13.5 million) show, the largest production budget in the 95-year history of Friedrichstadt-Palast, is on October 23, 2014. (Photo by Hannibal Hanschke/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)