A man takes a picture of the mural painted by the street artist Harry Greb depicting the Italian music composer Ennio Morricone, a day after the 91-year-old composer's death, on July 7, 2020 in Rome, Italy. (Photo by Antonio Masiello/Getty Images)

Revellers take part in an annual block party known as “Cordao de Prata Preta”, one of the many carnival parties to take place in the neighbourhoods of Rio de Janeiro, February 6, 2016. (Photo by Pilar Olivares/Reuters)

“The Carnival Triumph finally made port on Thursday night, after what should have been an idyllic four-day cruise turned into a grueling week-long ordeal for more than 3,000 passengers and 1,000 crew. Some kissed the ground as they disembarked the ship, while others swore never to go on another cruise again. Many spoke of the well-documented unsanitary conditions on board the 272-metre Triumph, which lost power in the Gulf of Mexico on Sunday”. – Tom Dart and Adam Gabbatt via Guardian

Photo: Kendall Jenkins of Houston kisses the ground after stepping off the Carnival ship Triumph (Photo by AP Photo)

Three young women preparing a guy. They are sitting him on a keg labelled “gun powder”. (Photo by Fox Photos/Getty Images). 1929

In this photo taken on Tuesday, December 20, 2016, dancers of the U.S. company “Catapult” create a group of ostriches, during their show “Magic Shadows”, in Milan, Italy. Dancers in the company create shadow sculptures with their bodies, giving a contemporary twist to the ancient Chinese art of shadow theaters. (Photo by Luca Bruno/AP Photo)

Independent miners transport llamas to sacrifice them for good fortune during the year as part of Andean carnival celebrations, outside the Mina Itos on the outskirts of Oruro, Bolivia February 24, 2017. (Photo by David Mercado/Reuters)

A woman sells statues of the Ekeko, god of fortune, at the traditional “Alasitas” fair in La Paz January 24, 2015. During the fair, Bolivians buy miniature versions of goods like cars, money and houses they would like to own in real life during the year. (Photo by David Mercado/Reuters)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)