A U.S. soccer fan pretends that Uruguay's soccer striker Luis Suarez is biting him as he takes a selfie next to an Adidas advertisement featuring Suarez near Copacabana beach in Rio de Janeiro, Brazil, Thursday, June 26, 2014. FIFA banned Suarez from all football activities for four months on Thursday for biting an opponent at the World Cup, a punishment that rules him out of the rest of the tournament. (Photo by Matt Dunham/AP Photo)

A competitor wearing a kilt and standing on a barrel throws a bowling ball between her legs during the “Brigaball” contest at the annual Bundanoon Highland Gathering, showcasing traditional Scottish events, held in the town of Bundanoon, located southwest of Sydney, April 9, 2016. (Photo by David Gray/Reuters)

Parade participants during the traditional “Masopust Carnival” festival on February 13, 2018 in Roztoky near Prague, Czech Republic. Known as Masopust (literally, “giving up meat”), the festival was traditionally the last chance to eat and drink in excess before the austerity of Lent. (Photo by Margot Buff/RFE/RL)

White House Communications Director and presidential advisor Hope Hicks arrives at the U.S. Capitol Visitors Center February 27, 2018 in Washington, DC. Hicks is scheduled to testify behind closed doors to the House Intelligence Committee in its ongoing investigation into Russia's interference in the 2016 election. (Photo by Chip Somodevilla/Getty Images)

A Palestinian man demonstrates his parkour skills on a beach as the coronavirus disease (COVID-19) restrictions ease in Gaza City on July 10, 2020. (Photo by Mohammed Salem/Reuters)

Fans gather to watch a FIFA World Cup Russia 2018 football match between Brazil and Costa Rica on a giant screen at Alzirao neighborhood in Rio de Janeiro, Brazil on June 22, 2018. (Photo by Carl De Souza/AFP Photo)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.