Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

Jo Jo performs at the Q102 s*xy Singles 2012 the at Hotel Palomar on January 26, 2012 in Philadelphia, Pennsylvania. (Photo by Gilbert Carrasquillo)

A woman takes part in the procession of the “Virgem da Atalaia” procession during Holy Week at Alcochete, near Lisbon, Portugal March 27, 2016. Women ride on donkeys during the “Virgem da Atalaia” procession, that has been held annually for about 400 years. In the past, only single women rode the donkeys to ask for help from the Virgin to find a husband. (Photo by Rafael Marchante/Reuters)

Suadar Oyunbold, age 5 runs from a Lion Dancer in Dublin City Farm at St Anne’s Park on January 9, 2023 to mark the launch of the programme for Dublin Lunar New Year which runs from 21-29 January. (Photo by Dara Mac Dónaill/The Irish Times)

Antonina, 9, looks through a shrapnel-broken window after an online lesson on the first school day at her home in the village of Pokrovske, on September 1, 2022, amid Russian invasion of Ukraine. In Pokrovske, a tiny village of 24 people in the Mykolayev region of southern Ukraine, nine-year-old Antonina Sidorenko started school to the steady sound of cannons in this town near the front line. (Photo by Dimitar Dilkoff/AFP Photo)

These are the stomach-churning pictures of the swing at the end of the world – a rickety wooden swing hanging over a precipice 2,660 metres above sea level – and not a seatbelt in sight. (Photo by Caters News)