A child reacts as a family takes a break next to a cooling mist at the Sensoji temple as Japanese government issued heat stroke alerts in 39 of the country's 47 prefectures in Tokyo, Japan on July 22, 2024. (Photo by Issei Kato/Reuters)

Models present creations from the Spring/Summer 2024 Haute Couture collection by Lebanese designer Georges Hobeika during the Paris Fashion Week, in Paris, France, 22 January 2024. The presentation of the Haute Couture collections runs from 22 to 25 January. (Photo by Christophe Petit Tesson/EPA)

People pass by a light decoration during Valentine’s Day in Tirana, Albania, on February 14, 2024. (Photo by Florion Goga/Reuters)

A man reacts as he holds the equipment used by Palestinian cameraman Hussam al-Masri, who was a contractor for Reuters, at the site where he was killed along with other journalists and people in Israeli strikes on Nasser hospital, in Khan Younis in the southern Gaza Strip, in this still image taken from a video shot by Reuters contractor Hatem Khaled, who was wounded shortly afterwards in another strike while he was filming the site on August 25, 2025. (Photo by Hatem Khaled/Reuters)

Revellers get into the spirit of the 40th annual Zomercarnaval – summer carnival – in Rotterdam on July 28, 2024. The two-day event is such in integral part of Netherlands tradition it was added to Unesco’s Intangible Cultural Heritage list last year. (Phoot by James Petermeier/ZUMA Press Wire)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.