A man poses for a picture to show his rings of gold, silver and bronze on his fist in Zamfara, Nigeria April 21, 2016. (Photo by Afolabi Sotunde/Reuters)

Young couple masturbating while using virtual reality glasses in the bed. Happy lover having sеx with vr goggles 3d in the bedroom. (Photo by Alamy Stock Photo)

Su Daocheng rides his home-made mechanical horse vehicle on a street in Shiyan, Hubei province January 18, 2015. Su spent 2 months making this 1.5 metre high and 2 metre long horse, which weighed 250 kilograms with 4 legs and 2 supportive wheels, local media reported. (Photo by Reuters/Stringer)

Musafir, a pet monkey, eats sweets on a pavement in Kolkata, India, June 9, 2016. (Photo by Rupak De Chowdhuri/Reuters)

Armed officers of Lewa Wildlife Conservancy's (LWC) anti-poaching unit look out from a ridge at dawn in Meru, on July 31, 2021, as they wind up their nightly security patrol against poaching and illegal incursions into the conservancy. Despite the global condemnation of poaching and the resources that have been mobilised to safeguard endangered wildlife, well-funded and well-equipped poaching groups continue to pose a real threat to Africa’s wildlife. (Photo by Tony Karumba/AFP Photo)

Family members and relatives of passengers on board the Twin Otter aircraft operated by Tara Air, weep outside the airport in Pokhara on May 29, 2022. A passenger plane with 22 people on board went missing in Nepal on May 29, the operating airline and officials said, as poor weather hampered a search operation. (Photo by Prakash Mathema/AFP Photo)

A model presents a creation by a Mexican designer during a catwalk show promoting diversity and inclusion to foster acceptance and removal of barriers that disabled people face in the country, in Mexico City, Mexico on October 26, 2022. (Photo by Quetzalli Nicte-Ha/Reuters)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)