“The Space Launch System, or SLS, is a Shuttle-Derived heavy launch vehicle being designed by NASA, following the cancellation of the Constellation Program, to replace the Space Shuttle after its retirement. The NASA Authorization Act of 2010 envisions the transformation of the Ares I and Ares V vehicle designs into a single launch vehicle usable for both crew and cargo. It is to be upgraded over time with more powerful versions. The proposed SLS is visually similar to the legacy Saturn V booster and in particular the proposed, two-stage, Saturn INT-20”. – Wikipedia

Photo: In this illustration provided by NASA, the design for a new space rocket system, the Space Launch System, is seen. NASA's new rocket design will reportedly cost about $35 billion and be ready to for test launch in 2017. According to NASA, the rocket will be used to carry Orion Multi-Purpose Crew Vehicle as well as cargo and science experiments to earth's orbit, as a backup for the space station and possibly destinations beyond that. (Illustration by NASA via Getty Images)

“Joan Miro i Ferra (April 20, 1893 – December 25, 1983) was a Spanish Catalan painter, sculptor, and ceramicist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miro expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an “assassination of painting” in favour of upsetting the visual elements of established painting”. – Wikipedia

Photo: Joan Miro's, grandsons, Emilio Fernandez Miro and Joan Punyet Miro pose beside Personnage (1970) in the Yorkshire Sculpture park on March 14, 2012 in Wakefield, England. Yorkshire Sculpture Park stages the first major UK survey of sculpture by Spanish artist Joan Miro. (Photo by Bethany Clarke/Getty Images)

In this photo taken on Monday, October 27, 2014, a cactus stands at a broken window in a damaged house after shelling not far from Donetsk airport in the town of Donetsk, eastern Ukraine. Donetsk, which has lost about 400,000 of its 1 million pre-war population, is bracing to a winter ahead. In a climate like eastern Ukraine's, where temperatures typically stay below zero all winter, the damage to the critical infrastructure and lack of effort to provide adequate shelter to people whose homes were destroyed could literally mean a death from the cold. (Photo by Dmitry Lovetsky/AP Photo)

Documenting the effects of climate change first hand over the past eight years, Camille Seaman fears we may be on the road to the last iceberg. Photographing the enormous frozen floats at both poles for the past eight years, the Californian adventurer has seen the receding ice shelves and experienced the changing warmer weather. Feeling that her intimate and emotional work documents a snapshot of history, Camille presents her series “The Last Iceberg” as a study of what she sees as the personality of each huge iceberg. Drawing parallels with the famous novel, “The Last of the Mohicans”, Camille, 42, wonders whether these unique, almost alien natural features will become a thing of the past or part of nature's renewal process. (Photo by Camille Seaman/Barcroft Media)

The rotating updraft base of a supercell thunderstorm, and a rear flank downdraft containing rain and hail, backlit by the setting sun, on May 10, 2014, in Climax, Kansas, United States. To most of us, dark clouds on the horizon usually means rain – but here in Kansas, they can also signal the start of a supercell. The huge formations, also known as rotating thunderstorms, are among the most powerful weather phenomenon found over land. They can occur anywhere where the conditions are right, but are normally found in more arid climates. These awe-inspiring supercells were captured south of Climax city by storm chaser Stephen Locke. (Photo by Stephen Locke/Barcroft Media)

A figure of a skeleton is seen painted in a hallway of the house built underground by Manuel Barrantes in San Isidro de Perez Zeledon, Costa Rica, March 14, 2016. Barrantes started digging through red soil and volcanic rock on his farm 12 years ago to build his subterranean house, between 15 and 63 feet (4.57 and 19.2m) underground. The dwelling, which Barrantes says provides a peaceful and comfortable home for him and his family away from noise pollution and the effects of climate change, now covers about 2,000 square feet (185.8 square metres). (Photo by Juan Carlos Ulate/Reuters)

A thrill-seeking snapper has shot a powerful series of images featuring people carrying out everyday chores in front of giant storms. Benjamin Von Wong's surreal scenes include individuals ironing, barbecuing, playing video games and even sitting on the toilet – seemingly unaware of the threatening situations approaching. The project was initiated to raise awareness about climate change, and the the storms appearing across six different states in the U.S. Von Wong, 29, started the project in Colorado, before traveling to South Dakota, Wyoming, Montana, North Dakota and Nebraska for the unusual images. Here: Models pose in front of a storm in Cheyenne Wyoming. (Photo by Benjamin Von Wongs/Caters News)

In this photo taken Tuesday, February 2, 2016, asylum seekers gather round a fire as they cook a meal overlooking the temporary Altnes camp refugee camp on the island of Seiland, northern Norway. Waiting for their asylum claims to be processed, hundreds of people in emergency shelters in Hammerfest and neighboring towns are slowly getting used to the extreme climate and unfamiliar customs of the High North. They say they have adapted to the cold – the temperature rarely drops below minus 10 degrees C (14 F) along the coast, though it gets much colder further inland. It’s the darkness that throws them off. (Photo by Alastair Grant/AP Photo)