Newcastle United's Fabian Schar and Southampton's Ben Brereton Diaz butt heads before Schar was sent off during the Premier League match between Newcastle United FC and Southampton FC at St James' Park on August 17, 2024 in Newcastle upon Tyne, England. (Photo by Scott Heppell/Reuters)

FC Barcelona's fans celebrate winning the Spanish LaLiga soccer championship at Canaletas Square in Barcelona, Spain, 15 May 2025, after the Spanish LaLiga soccer match between RCD Espanyol and FC Barcelona at the RCDE Stadium in Cornella de Llobregat. (Photo by Quique Garcia/EPA/EFE)

A general view shows the Krasnoyarsk hydro-electric power station on the Yenisei River near the Siberian city of Krasnoyarsk, Russia, January 13, 2016. The power plant, owned by EuroSibEnergo company, part of En+ Group, with a generating capacity of 6,000 megawatt (MW), has a ferro-concrete dam 124-metres high and 1065-metres long and is the second largest Russian hydroelectric power station. About 85% of the energy generated is intended for the Rusal Krasnoyarsk aluminium smelter, according to representatives of the power station. (Photo by Ilya Naymushin/Reuters)

Julia Gracheva and Anna Speak takes photos as they attend the 10th edition of “Diner en Blanc” at Brookfield Place in Lower Manhattan September 19, 2022. The legendary all-white secret pop-up, the location of which is revealed hours before the event, draws over 5,500 guests who dress in head-to-toe white attire for an under the stars dining experience. (Photo by Timothy A. Clary/AFP Photo)

A man protesting the Ferguson grand jury decision to not indict officer Darren Wilson in the Michael Brown case is arrested while marching through the streets on December 1, 2014 in New York City. Brown, an 18-year-old black man, was killed by Darren Wilson, a white Ferguson, MO police officer, on August 9. (Photo by Andrew Burton/Getty Images)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)