Reflected in the rearview mirror, Jose Collantes gets a hug from daughter Kehity while they're stopped at a red light, as Jose drives his five-year-old home from a playdate in Santiago, Chile, Sunday, September 6, 2020, three months after they lost his wife, her mother, to COVID-19. Their case highlights how COVID-19 deaths the world over are often the beginning of a new personal journey for those affected. (Photo by Esteban Felix/AP Photo)

Talented French artist, Pierre Beteille, is skillful in manipulation of portraits (specially his own self portraits) using Photoshop. This is how he describes himself: “I am not a photographer or an artist, I just make images… I shoot very average or even bad photos that I try to improve thanks to Photoshop”…

Photo: “En attendant d'avoir des balles”...., 2007 (Photo by Pierre Beteille)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Star Wars collector James Burns, 44, poses for a photograph with some of his collection in London December 2, 2015. He said “I've met so many wonderful people, all over the world. It's a wonderful community of likeminded people with an interest in Star Wars. There's nothing else like it”. (Photo by Paul Hackett/Reuters)

Vanessa Silva, 38, feeds macaws that fly to her apartment window every day looking for food, in Caracas, Venezuela, on November 24, 2014. A group of gold-and-royal blue birds poked their heads through Silva’s window, as if saying “I’m here, is anyone home?” “I’d seen them flying when I was down on the street, and I thought ‘Oh how pretty,’” the 38-year-old said, a macaw eating out of her hand. (Photo by Ariana Cubillos/AP Photo)

British soldiers inspect a captured German place in the Horseguards' Parade, London during World War I in November 1914, with the London Eye in the background as a reminder of just how much has changed in the last 100 years. (Photo by Peter Macdiarmid/Getty Images)