A woman sits as she gets a tattoo on her leg during the annual Panama City Ink Fest in Panama City August 16, 2015. (Photo by Carlos Jasso/Reuters)

A chicken seller carries his chickens on his head in the market in Peshawar, Pakistan, August 20, 2015. (Photo by Khuram Parvez/Reuters)

Yuanlei Liao, the singer of hardcore band called Thank Ray wears a read scarf after performing on the stage of Mao Live House during the club's last public concert night in central Beijing, China April 23, 2016. Mao Live House, a prominent live rock music venue in Beijing, shut its doors on the weekend, the latest closure to hit China's rock music scene. Owner Li Chi said the club, popular among fans of punk, metal and alternative rock since it opened nine years ago, was forced to close due to tighter rules on live performances. (Photo by Damir Sagolj/Reuters)

An emu runs to escape an approaching wildfire as it burns near Potero, California, U.S. June 20, 2016. (Photo by Mike Blake/Reuters)

A woman feeds a pig in her yard during spring flood in the Belarus village of Snyadin near Pripyat river, some 300 km south of Minsk, on April 16, 2013. (Photo by Viktor Drachev/AFP Photo)

A giant river otter, the world's largest otter species, looks out of its enclosure at the newly completed River Safari in Singapore, on March 25, 2013. (Photo by Wong Maye-E/Associated Press)

Members of Brighton Swimming Club brave the early morning temperature to take a dip in the sea east of the pier on January 5, 2022. The club, founded in 1860, is the oldest in England. (Photo by Simon Dack/Alamy Live News)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)