Nora White, 6, dumps a cup of water on her sister Kennedy White, 3, at Barnett Field Splash Pad in Edmond, Okla., on Tuesday, June 25, 2024.(Photo by Bryan Terry/The Oklahoman via USA TODAY Network)

Women's Sabre Gold medalist Olga Kharlan (L) and bronze medalist in the Men's Greco-Roman Wrestling Zhan Beleniuk (R) react as they arrive at the railway station in Kyiv, Ukraine, 13 August 2024. Ukrainians meet and greet the members of National Olympic team as they return from Olympic Games 2024 in Paris amid the ongoing Russian invasion. (Photo by Sergey Dolzhenko/EPA/EFE)

Porters carry the carcasses of a shark (L) and a Marlin (R) to the local market in Hamarweyne near the port of Mogadishu on the Indian Ocean coast on November 18, 2014 in the Somalia capital as fishermen bring in their catch. (Photo by Mohamed Abdiwahab/AFP Photo)

A victim under a blanket lays dead outside the Bataclan theater in Paris, Friday November 13, 2015. (Photo by Jerome Delay/AP Photo)

Rwandan refugees cross the Rusumo border to Tanzania from Rwanda carrying their belongings, goats, mattresses and cows, May 30, 1994. The bloodshed that claimed 800,000 Tutsi and moderate Hutu lives began 25 years ago on April 7, 1994, when a plane carrying Rwandan President Juvenal Habyarimana, Burundi President Cyprien Ntaryamira and a French air crew was shot down. (Photo by Jeremiah Kamau/Reuters)

Miss Universe contestant Desire Cordero, of Spain, poses for a photo after a news conference for contestants from Latin America and Spain, Monday, January 12, 2015, in Doral, Fla. The Miss Universe pageant will be held on January 25, in Miami. (Photo by Wilfredo Lee/AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)