The Royal Conservatoire of Scotland has appeared in the world top ten for performing arts education in the QS World University Rankings 2024 published today, April 10, 2024. (Photo by The Times)
A runner dressed as Spiderman poses before the annual “Sao Silvestre Run”, an international race through the streets of Sao Paulo, Brazil on December 31, 2021. (Photo by Carla Carniel/Reuters)
Tourists play on the “Big” piano inside of the toy store FAO Schwarz on the last day that the store will be open in New York, July 15, 2015. FAO Schwarz will officially close the doors of its flagship Fifth Avenue toy store in New York City on Wednesday night, to the dismay of shoppers charmed by the iconic destination for childhood fun. (Photo by Lucas Jackson/Reuters)
«Underwater». Laurie Simmons discovered this silicone sеx doll in a shop while on holiday in Japan and was immediately interested in the type of generic beauty their looks could add to her work. She went on to create the Love Doll series, in which she places silicone sеx dolls in positions that explore a woman’s interior life. (Photo by Laurie Simmons/Salon 94/The Guardian)
In this photo taken Saturday, September 23, 2017, a mouse is cooked on a fire after being caught in a cornfield in Chidza, Masvingo Province, Zimbabwe. Considered a delicacy, the field mice are hunted in cornfields where they have grown plump on the grains, grass and wild fruits. (Photo by Tsvangirayi Mukwazhi/AP Photo)
A male puma, named Bordo arrives for an examination and tests at a veterinary in Brasilia, Brazil, 31 October 2017 (issued 01 November 2017). Bordo, a young male puma, captured when he was a cub, will become the first animal of his species to be released in a sanctuary in the Brazilian savannah in Goias State close to Brasilia. The sanctuary, a preserve for wild cats, is in the first phase and is located on private lands but state funded. (Photo by Joedson Alves/EPA/EFE)
The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)