Hillary Clinton waves to a selfie-taking crowd at a recent campaign event in Orlando, Florida on September 26, 2016. (Photo by Barbara Kinney/Hillary for America)

Border Security Force (BSF) personnel patrol along the border fence during a cold foggy morning near India-Pakistan Wagah border about 40km from Amritsar on December 21, 2022. (Photo by Narinder Nanu/AFP Photo)

The 26th annual Visa Pour l’Image, the “Cannes Film Festival” of photojournalism kicks off, filling the French city of Perpignan with more than 3,000 of the world’s best photojournalists and photo editors, along with agencies from around the world. This year’s Visa Pour l’Image showcases 26 exhibitions around the city. Photo: Christians looting a Muslim shop in the “Combattants” district of Bangui. (Photo by Pierre Terdjman/Paris Match)

A monkey licks ice during the annual “monkey buffet” in Lopburi province, some 150 kms north of Bangkok on November 24, 2013. More than 2,000 kilos of fruits and vegetables were offered to the monkeys during the annual festival to help promote tourism in the area. (Photo by Pornchai Kittiwongsakul/AFP Photo)

A Dongria tribe girl holds her traditional weapon and dance on the last day of their two days long Niyamraja Festival atop of the Niyamgiri hills near Lanjigarh in Kalahandi district, Orissa state. (Photo by Biswaranjan Rout/AP Photo)

A B-52 bomber is watched by a group of curious onlookers as it lands at RAF Fairford, February 21, 1999. The B52s arrived from the U.S.A. as part of NATO's preparations for air attacks on Yugoslavia as tensions in the Kosovo crisis increased. (Photo by Dylan Martinez/Reuters)

A woman chops a fish at her stall as a train passes by at a morning market near Duri train station in Jakarta in this February 12, 2009 file photo. (Photo by Reuters/Beawiharta)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)