A male puma, named Bordo arrives for an examination and tests at a veterinary in Brasilia, Brazil, 31 October 2017 (issued 01 November 2017). Bordo, a young male puma, captured when he was a cub, will become the first animal of his species to be released in a sanctuary in the Brazilian savannah in Goias State close to Brasilia. The sanctuary, a preserve for wild cats, is in the first phase and is located on private lands but state funded. (Photo by Joedson Alves/EPA/EFE)

Man prepares wigs as he waits for customers in downtown Johannesburg, on August 5, 2014. Some estimates put Africa's dry hair industry at as much as $6 billion a year; Nigerian singer Muma Gee recently boasted that she spends 500,000 naira ($3,100) on a single hair piece made of 11 sets of human hair. (Photo by Siphiwe Sibeko/Reuters)

Miniscule larvae carve winding tunnels as they eat through small leaves in a small forest near the town of Velbert in western Germany in July 2022. The hungry green sawfly larvae measure just three millimetres in length and are difficult to spot on the leaves of the beech tree unless up close. (Photo by Christian Brockes/Solent News)

A serviceman of the Carpathian Sich Battalion is seen at his position on a frontline, as Russia's attack on Ukraine continues, near the town of Lyman, Donetsk region, Ukraine on December 8, 2022. (Photo by Viacheslav Ratynskyi/Reuters)

MY Raven, a former steamer now converted to diesel, cruises across Ullswater from Glenridding to Pooley Bridge in Cumbria, UK on October 25, 2024. (Photo by Andrew McCaren/London News Pictures)

Irish dancer Holly Venables on day three of the Cheltenham Racing Festival at Prestbury Park in Cheltenham, England on March 13, 2025. (Photo by David Fitzgerald/Sportsfile)

Goodwood racegoers run for cover from a sudden rainstorm on Ladies Day, the third day of the horseracing festival at Goodwood Racecourse on July 31, 2025 in Chichester, England. (Photo by The Times)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)