An Israeli girl in costume, celebrates the Jewish festival of Purim on March 5, 2004, in Tel Aviv, Israel. The Festival commemorates the rescue of Jews from genocide in ancient Persia.

Photos from 虹桥故事's photostream. Attention! From Chinese to English translated by Google!

Photo: 1948年3月，外滩，便衣警察棒打偷拿棉花的老太。 (In March 1948, the Bund, plainclothes police officers wreck stole cotton Granny)

Ice covers oranges on a tree creating a protective shell in a commercial grove January 11, 2010 near Winter Garden, Florida. (Photo by Matt Stroshane/Getty Images)

Port staff check the damaged bridge cranes in Kaohsiung, southeast China's Taiwan on September 15, 2016. Kaohsiung Port saw facilities damage due to the effect of Typhoon Meranti. (Photo by Johnson Liu/Xinhua via ZUMA Wire)

In this January 25, 2013 photo, snake handler Saintilus Resilus holds a snake in front of his lips as he trains the snake to recognize his smell as he prepares for his street performances during the pre-Lenten Carnival season, at his home in Petionville, Haiti. Resilus sees himself as something of a performance artist, showing off with snakes and other animals that Haitians don't see every day, earning tips from impromptu audiences. (Photo by Dieu Nalio Chery/AP Photo via Matt Dayhoff)

French First Lady Carla Bruni-Sarkozy waits for the spouses of the Heads of Delegation participating in the G8 Summit on May 26, 2011 in Deauville, France. (Photo by Franck Prevel/Getty Images)

Adult gentoo penguins keep an eye on their newly born chick at Edinburgh Zoo on June 10, 2011 in Edinburgh, Scotland. The gentoo chicks which started hatching in early May are looked after by both parents who regurgitate part digested food. When the chicks are hungry they peck the beaks of their parents to signal feeding time. (Photo by Jeff J Mitchell/Getty Images)

At first glance, Korean artist Kyu-Hak Lee's mixed media mosaics come off as fairly straightforward recreations of iconic works of art. But upon closer inspection, there's more depth to Lee's works than expected. Using a specific technique – rolling strips of magazine and newspaper pages around small bits of wood – Lee replicates brushstrokes, patterns, and colors to create a commentary on consumerism and worth.