Jade Marvin from Starlight Express gets her skates on for a special number at The Olivier Awards 2025 at The Royal Albert Hall on April 06, 2025 in London, England. (Photo by David Levene/The Guardian)

A member of the South African National Defense Force (SANDF) stands on a military vehicle during a joint South African Police Services (SAPS) and SANDF patrol on day 31 of the national lockdown as a result of the ongoing coronavirus COVID-19 pandemic in Johannesburg, South Africa, 26 April 2020. The patrol was in the high density areas of Hillbrow and Yoeville where civilians are still breaking the strict lockdown rules. Those that where breaking the rules where arrested. South Africa's Stage 5 lockdown is due to end 30 April 2020 when stage 4 will be implemented. (Photo by Kim Ludbrook/EPA/EFE)

A staff member demonstrates how she puts on the helmet of a mock space suit at the C-Space Project Mars simulation base in the Gobi Desert outside Jinchang, Gansu Province, China, April 17, 2019. The facility – comprising several interconnected modules including a greenhouse and a mock decompression chamber – opened its doors to the public. (Photo by Thomas Peter/Reuters)

A woman looks on while a horse-drawn carriage passes by Italian artist Emilio Ferro's artwork installation “Portal of Light” at the Giza pyramids necropolis during the second edition of the Art D’Égypte exhibition “Forever is Now” on October 27, 2022. (Photo by Khaled Desouki/AFP Photo)

Actress Lily Collins is seen filming on set of series 2 of “Emily In Paris” on May 4, 2021 in Saint-Jean-Cap-Ferrat, France. (Photo by Arnold Jerocki/GC Images)

Zombie Punk stands for a photo during the International tattoo convention at Tobacco Dock in east London, Friday, September 27, 2019. (Photo by Aaron Chown/PA Wire Press Association via AP Photo)

March 11, 2008 Swiss car manufacturer Rinspeed made quite the splash at the Geneva Motor Show with its innovative sQuba, a fully functional submersible concept car that cost $1.5 million to build. (Photo by Rinspeed)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.