The Bahamas, the Commonwealth nation of hundreds of islands roughly the size of Connecticut and with population of just a bit over Anaheim, is known for its crystal waters and pristine beaches. This is possibly one of the world’s most beautiful havens of nature, yet people are coming here to see pigs. It is unclear when the pigs first appeared on Exuma Island or where they come from. There’s talk about a daring escape from a shipwreck, or sailors releasing the swine on purpose. In all probability, there were no pigs on this tropical paradise before European settlers came, so their mere presence is the work of human. The intriguing feat of nature, however, is that this population of pigs developed a fine aptitude for swimming. Here: “So you're on a boat in Bahamas and then this pig swims by begging for food”. (Photo and caption by Lisa Larsen/Public Domain)

Jean-François Leroy launched Visa Pour l’Image, the international photojournalism festival, in Perpignan in 1989. Before heading up the festival, Leroy was shooting reportage for the agency Sipa Press and also working for Photo-Reporter, Le Photographe, Photo-Revue and Photo Magazine. He is the chairman of the company Images Evidence. Photo: 2008 Visa d'or Feature: Brent Stirton. Conservation Rangers from an Anti-Poaching unit work with locals to evacuate the bodies of four Mountain Gorrillas killed in mysterious circumstances in the park, July 24, 2007, Virunga National Park, Eastern Congo. (Photo by Brent Stirton/Exclusive by Getty Images)

From house breaking in Johannesburg to hippos on the loose in Tbilisi to rioters attacking a policewoman in Burundi, Reuters photographers tell the story behind some of the most iconic pictures of the year. Here: Protesters drag a female police officer accused of shooting a protester in the Buterere neighbourhood of Bujumbura, Burundi, May 12, 2015. Goran Tomasevic: Protesters started throwing stones at a group of police, who then started to run away. The policewoman in the photo, Medikintos Inabeza, 33, got left behind and then some protesters started to push her, saying that she had shot a female protestor in the stomach with an AK47 rifle. I didn't see anything of that. There were 5 or 10 protesters pushing the policewoman at first, then others came and joined in. Up to 20 or 30 protesters were surrounding her at one point. The protesters kicked and beat her very badly; I also saw a couple of knives. I thought they were going to kill her... (Photo by Goran Tomasevic/Reuters)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)

Das Park Hotel was designed by Austrian architect and designer Andreas Strauss , and it is located in Linz, Austria. From inside, “rooms” have been humanized by Austrian artist Thomas Latzel Ochoa, who painted illustrations on walls. Hotel is open from May till October.

There's something inherently Ghibli-esque about Chong FeiGiap's beautiful paintings, capturing that sense of wonder typically present in the best animes the studio had to offer, as well as a dash of Tekkon Kinkreet's amazingly colorful, complex cities.

India’s classic Ambassador taxis and juddery auto rickshaws are iconic sights in the cities of the subcontinent. In Mumbai, one project has been using them as canvases for Indian graphic designers, giving them the opportunity to design new interiors for the vehicles. (Photo by Taxi Fabric/The Guardian)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)