A pair of Easter bunnies socialise in the sunshine on April 4, 2021 in Brighton, United Kingdom. Earlier this week, the UK government eased rules on socialising, permitting groups of six people (or more if limited to two households) to meet outdoors. The latest lockdown measures were imposed at the end of last year to curb a surge in Covid-19 cases. (Photo by David McHugh/Brighton Pictures)

A Pakistani policeman wades across floodwaters in Lahore on August 19, 2024. Flash floods triggered by the latest spell of monsoon rains are wreaking havoc across parts of Pakistan, claiming the lives of 14 people in the previous 24 hours, an official at the provincial disaster management authority said on August 19. (Photo by Tahir Jamil Khan/Radio Free Europe/Radio Liberty)

The project “1000 Shadows” by the street artist Herbert Baglione, who populates abandoned places around the world with strange and misty shadows and creatures… His latest creations are set in the empty rooms of an old abandoned psychiatric hospital in the city of Parma in Italy, which further increases the fascinating and frightening ambiance of his creations.

Tattoo devotee Edyta shows off her body art during The Tattoo Jam Festival on August 5, 2011 in Doncaster, England. The Tattoo Jam Festival is Britain's biggest gathering of tattoo professionals and skin art devotees. The event hosts over 300 artists working in the exhibition hall of Doncaster Racecourse revealing their latest designs and techniques. (Photo by Christopher Furlong/Getty Images)

Street artist JR poses in front the Louvre Pyramid in Paris, Tuesday, May 24, 2016. For his latest bold project, street artist JR is creating an eye-tricking installation at the Louvre Museum that makes it seem as if the huge glass pyramid at the heart of the courtyard has disappeared. (Photo by Francois Mori/AP Photo)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

While the lido was described as bringing “modernism to the masses” on the British coast it was just the latest example of a trend that had been developing since Victorian times – transforming seaside towns into resorts for leisure and entertainment. In the latter half of the nineteenth century, the fashion was for local authorities to build great piers stretching from the promenade out into the sea. The Eastbourne Pier, pictured here in May 1931, was erected between 1866 and 1870 to an ingenious design by Eugenius Birch, which saw the structure sitting on special cups allowing the supporting struts to “move” in bad weather. Arranged on the pier's 1,000-foot length were kiosks, a theatre, a ballroom and a camera obscura. 1931. (Photo by Aerofilms Collection via “A History of Britain From Above”)