Gold medallists of China perform Synchronised Swimming Free Combination routine at the Munhak Park Tae-hwan Aquatics Center during the 17th Asian Games in Incheon September 23, 2014. (Photo by Tim Wimborne/Reuters)

A man looks at the description of a sculpture depicting 17-year-old male chimpanzee Jaska, by Gillie and Mark, in London, Tuesday, September 20, 2022. (Photo by Vadim Ghirda/AP Photo)

A woman inspects artwork by Iranian artist Farrokh Mahdavi during a preview of the National Gallery of Victoria's (NGV) Triennial 2023, an exhibition featuring work by over 120 contemporary artists, designers and collectives, in Melbourne on December 1, 2023. (Photo by William West/AFP Photo)

A sculpture entitled “Powerless Structures, Fig.101” designed by Danish artist Michael Elmgreen and Norwegian artist Ingar Dragset is unveiled on the Fourth Plinth in Trafalgar Square on February 23, 2012 in London, England. (Photo by Oli Scarff/Getty Images)

A visitor stands near an art installation portraying China's President Xi Jinping, U.S. President Donald Trump and Russia's President Vladimir Putin during the ARTSUBS exhibition in Surabaya, Indonesia on August 2, 2025. (Photo by Juni Kriswanto/AFP Photo)

2016 Rio Olympics, Rhythmic Gymnastics, Final, Individual All-Around Final, Rotation 1, Rio Olympic Arena, Rio de Janeiro, Brazil on August 20, 2016. Melitina Staniouta (BLR) of Belarus competes using the hoop. (Photo by Ruben Sprich/Reuters)

Two female revelers engage in a beer drinking contest in the Hacker Pschorr tent on the first day of the 2017 Oktoberfest beer fest on September 16, 2017 in Munich, Germany. Oktoberfest is the world's largest beer celebration and typically draws over six million visitors over its three-week run. Oktoberfest includes massive beer tents, each run by a different Bavarian brewer, as well as amusement rides and activities. (Photo by Philipp Guelland/Getty Images)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)