Workers put some finishing touches on “Forever Marilyn”, a sculpture by Seward Johnson, on July 14, 2011 in Chicago, Illinois. The stainless steel and aluminum sculpture which stands 26 feet tall and weighs 34,000 pounds will be unveiled tomorrow and remain on display in Chicago through the spring of 2012. The sculpture was inspired by Marilyn Monroe's iconic scene in the 1955 movie “Seven Year Itch”. (Photo by Scott Olson/Getty Images)

The 37-year-old French artist Anne-Catherine Becker Echivard’s latest artworks were inspired by the silent movies of Charlie Chaplin and Buster Keaton; she uses real-life smelly fish heads as her models for some photos that depict everyday life to address topics.

Sony is marketing the remake of the Stephen King horror movie Carrie with with “Telekinetic Coffee Shop Surprise”, a prank video set in a New York cafe. Viral marketing firm ThinkModo shot the film over two days in ‘sNice cafe on 8th Ave, New York, with actors posing as customers. As people wandered in off the street for their coffee, stuntman Travis Gravis spilled coffee on a laptop belonging to actress Andrea Morales.

The Rogz Grinz Ball Dog Toy is a fun creation by South African Porky Hefer Design. The bounce and fetch toy will turn your dog´s mouth into an hilarious ear-to-ear grin, just like Milo dog from the movie “The Mask”. The toy can be stuffed with your dogs favorite treats and floats nicely on the water.

The blog Terrible TV Art is dedicating to Photoshopping the faces of TV and movie characters to cartoonish proportions.

Emily Ratajkowski filming DKNY commercial on January 20, 2017 in New York City, USA. The 25-year-old model braved the freezing New York temperatures as she wore just a black lace bra and matching French knickers, with a pair of clumpy biker boots. (Photo by Startraks Photo/Rex Features/Shutterstock)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.