In this photo taken on Friday, March 15, 2013, members of a pro-Kremlin youth group attack pushers of spice, a synthetic drug, in Moscow, Russia. Russian officials and anti-drugs campaigners say that spice has become one of the most dangerous drugs widely available to youngsters and almost impossible to ban because of the constantly changing chemical ingredients. (Photo by Alexander Zemlianichenko Jr/AP Photo)

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.

A man wearing a hazmat suit and a mask holds a sign reading “The end is near – call grandma” at Times Square on March 14, 2020 in New York City. The World Health Organization said March 13, 2020 it was not yet possible to say when the COVID-19 pandemic, which has killed more than 5,000 people worldwide, will peak. “It's impossible for us to say when this will peak globally”, Maria Van Kerkhove, who heads the WHO's emerging diseases unit, told a virtual press conference, adding that “we hope that it is sooner rather than later”. (Photo by Johannes Eisele/AFP Photo)

These tiny insects are so well camouflaged it is nearly impossible to make out their cleverly disguised forms. Canadian photographer and adventurer Paul Bertner attempted to catch the bugs in their natural habitats as part of a hide-and-seek game to show biodiversity in nature. Here: Stick insects. (Photo by Paul Bertner/Caters News)

A not-so-famous photographer Robert Jahns can do impossible things with common photos. He takes two pictures and joins them into a single composition. Thanks to this creative idea, which is based on the combination of contrasts, ordinary photos become interesting and attractive. Jahns combines several pictures into one seamless scene. A leafless crown of the tree, layered onto deer antlers, creates a real and natural continuation of the deer`s head. Likewise, a rollercoaster with an overview of the city frightens us by being very realistic. (Photo by Robert Jahns A.K.A. Nois7)

“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)

A sculptural artwork depicting former Chilean dictator Augusto Pinochet and headless presidents shot by a hooded high school student (not pictured) is seen at the Contemporary Art Museum in Santiago, December 2, 2014. The artwork, part of the “El ladrillo angular” (The angular brick) exhibition, portrays a student fighting against the ongoing continuity of dictatorship because of a political and economic system which has been impossible to destroy, according to “Papas Fritas” the artwork's creator. (Photo by Ivan Alvarado/Reuters)

Karezoid Michal Karcz is a photographer from Warsaw, Poland. He first started with painting, which helped him to develop a vision that was hard to create with other visual techniques. Then in early 90s discovered photography. His early fascinations of painting and photography have been combined into one piece, with the use of digital tools. Digital photography gave him the opportunity to generate unique realities that were impossible to be created with an ordinary dark room techniques.