A guard stands at Dityatki checkpoint, marking a 30 km (18-mile) zone around the Chernobyl nuclear power plant April 23, 2013. Ukraine will mark the 27th anniversary of the Chernobyl disaster, the world's worst civil nuclear accident, on April 26. (Photo by Gleb Garanich/Reuters)

For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)

A goose sits atop eggs in a flower bed on the Wisconsin Ave. bridge, Friday, April 19, 2013, feathers ruffled in the cold blowing wind and snowflakes. The goose is near to the statues dedicated to Gertie the duck who made international news when she built her nest next to the same bridge in 1945 and captured the attention of Milwaukee at the end of the war. A statue commemorating “Gertie the Duck” sits on the other side of the bridge. The goose has several eggs she is sitting on. (Photo by Mike De Sisti)

Syrian refugees covered with dust arrive at the Trabeel border, after crossing into Jordanian territory with their families, near the northeastern Jordanian border with Syria, and Iraq, near the town of Ruwaished, east of Amman September 10, 2015. (Photo by Muhammad Hamed/Reuters)

A house burns as the Butte fire rages through Mountain Ranch, California September 11, 2015. Evacuation orders were expanded to thousands of homes in northern California's Sierras on Friday as the rapidly spreading wildfire roared for a third day through drought-parched timber and brush, threatening mountain communities. (Photo by Noah Berger/Reuters)

Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.

Hawaiian surfer Sean Yoro aka Hula combines his love of surfing and his artistic talent, creating hyperrealistic portraits of bathing women at different seaside locations. His work is inspired by street art and abandoned spaces that he uses as his hard-to-reach canvases. Carefully carrying cans of colored paint on the edge of his board, the New York-based artist applies his half submerged female portraits onto the wall.