English singer, songwriter and model Sophie Ellis-Bextor performs at G-A-Y at The Astoria on February 17, 2007 in London, England. (Photo by Jo Hale/Getty Images)
A woman surveys the damage after the earthquake on March 17, 2011 in Kensennuma, Japan. Residents were allowed back to their homes today and began the massive cleanup operation caused by a 9.0 magnitude strong earthquake that struck on March 11 off the coast of north-eastern Japan. The quake triggered a tsunami wave of up to 10 metres which engulfed large parts of north-eastern Japan. The death toll has risen past 5000 with at least 8600 people still missing. (Photo by Chris McGrath/Getty Images)
A firefighter jumps over a fence while fighting the Palisades Fire in the Pacific Palisades neighborhood of Los Angeles, Tuesday, January 7, 2025. (Photo byh Ethan Swope/AP Photo)
French actress Sophie Marceau and Irish actor Pierce Brosnan in film “The World is Not Enough” by Michael Apted, 1999. (Photo by Keith Hamshere/Sygma via Getty Images)
Newlyweds take wedding photos hanging from bridge, Yueyang, Hunan province, China on August 9, 2016. They held such a special wedding ceremony on China's Qixi Festival. (Photo by Top Photo Corporation/Rex Features/Shutterstock)
A handout image released by the Taronga Zoo shows Veiled Chameleon hatchlings at Taronga Zoo in Sydney, Australia, 11 March 2015. Taronga has welcomed more than 20 baby chameleons, with the last of three clutches of eggs hatching this week. Veiled Chameleons, or Chamaeleo calyptratus, are native to Saudi Arabia and Yemen and can live up to five years. (Photo by EPA/Taronga Zoo)
Tianmen Mountain (Chinese: 天门山; pinyin: Tiānmén Shān) is a mountain located within Tianmen Mountain National Park, Zhangjiajie, in northwestern Hunan Province, China.
Eyes as Big as Plates is a whimsical series by Finnish photographer Riitta Ikonen and Norwegian photographer Karoline Hjorth that features senior citizens donning organic materials like twigs and grass. Ikonen says that the collaborative project originally began as "a play on characters and protagonists from Norwegian folklore" but has since evolved into a collection of images exploring "mental landscapes" that reflect a return of body to nature with the use of scavenged materials.