National maritime charity, the Shipwrecked Mariners’ Society, has revealed results of its seventh annual photography competition, showcasing images relating to all aspects of the UK’s historic relationship with the sea. Here: “Sunrise Through The Wave”, by John Alderson, which has won the People category. (Photo by John Alderson/PA Wire Press Association)

A boy looks on as fire fighters try to extinguish the fire at oil wells, were set on fire by Daesh terrorists as they fled after Al Qayyarah town's cleansing from Daesh militants as the operation to retake Iraq's Mosul from Daesh continues, in Al Qayyarah Town of Mosul, Nineveh, Iraq on November 02, 2016. (Photo by Yunus Keles/Anadolu Agency/Getty Images)

The US Navy Blue Angels numbers 5 and 6 fly below Sean Tucker (above) as he pilots the Oracle Challenger III over San Francisco, California as part of a practice run for Fleet Week on October 6, 2016. (Photo by Josh Edelson/AFP Photo)

Astronaut Donald R. Pettit would often rig an array of as many as six cameras in the cupola windows and set them all to fire continuously for events such as sunsets, which only last around seven seconds on the ISS. (Photo by Donald R. Pettit)

Sakakibara Kikai's engineer Go Sakakibara poses with the bipedal robot Mononofu during its demonstration at its factory in Shinto Village, Gunma Prefecture, Japan on April 12, 2018. Developed at Sakakibara Kikai, a maker of farming machinery, LW-Mononofu is a 28-feet tall, two-legged robot weighing in at more than 7 tonnes. It contains a cockpit with monitors and levers for the pilot to control the robot's arms and legs. (Photo by Kim Kyung-Hoon/Reuters)

Soldiers try to attach the balloon to their car, June 1944. (Photo by Jared Enos/Mediadrumworld.com)

Picture dated March 28th 2022 shows a Typhoon training over Lincolnshire as it prepares for this years airshows. The Typhoon jet took part in a number of air shows across the UK last year. Out of season it is used for operational sorties. (Photo by Claire Hartley/Bav Media)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)