A man walks past an advertisement sign promoting a bank in Seoul in this September 3, 2009 file photo. South Korea is expected to release GDP dara this week. (Photo by Lee Jae-Won/Reuters)

American high school majorettes lead the baton twirlers a special routine. (Photo by Orlando /Three Lions/Getty Images). Circa 1954

Swedish photographer Paul Hansen won the 2012 World Press Photo award Friday for newspaper Dagens Nyheter with a picture of two Palestinian children killed in an Israeli missile strike being carried to their funeral.

Photo: In this photo provided on Friday February 15, 2013 by World Press Photo, the 2013 World Press Photo of the year by Paul Hansen, Sweden, for Dagens Nyheter, shows two-year-old Suhaib Hijazi and her three-year-old brother Muhammad who were killed when their house was destroyed by an Israeli missile strike. Their father, Fouad, was also killed and their mother was put in intensive care. Fouad's brothers carry his children to the mosque for the burial ceremony as his body is carried behind on a stretcher in Gaza City, Palestinian Territories, November 20, 2012. (Photo by Paul Hansen/Dagens Nyheter/AP Photo)

Wrestler Kairi Hojo jumps at her opponent Mieko satomura during their Stardom female professional wrestling show at Korakuen Hall in Tokyo, Japan, July 26, 2015. Professional women's wrestling in Japan means body slams, sweat, and garish costumes. But Japanese rules on hierarchy also come into play, with a culture of deference to veteran fighters. The brutal reality of the ring is masked by a strong fantasy element that feeds its popularity with fans, most of them men. (Photo by Thomas Peter/Reuters)

SpaceX, the space transportation company built from scratch by visionary billionaire Elon Musk, has the grand goal of space travel evolution through the use of re-usable rockets. Its technology – which has proven its worth several times – can reduce the costs of space transportation to its fraction, making it a more affordable way of reaching orbit or traveling beyond.

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)